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In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent, unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis.

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rdfs:label	Common practice period (en) فترة الممارسة الشائعة (ar) Komunpraktika periodo (eo) Período de la práctica común (es) Periodo della pratica comune (it) 共晓时期 (zh)
rdfs:comment	فترة الممارسة الشائعة بالإنجليزية Common practice period في تاريخ الموسيقى الأوربية التي تعرف باسم الموسيقى الكلاسيكية، فترة الممارسة الشائعة - التي تستغرق عصر الباروك والعصر الرومانسي دام من نحو 1600 حتى نحو 1900. (ar) In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent, unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis. (en) Si deve al compositore statunitense Walter Piston (1894-1976), che lo coniò nel 1941, il termine periodo della pratica comune per riferirsi all'epoca del maggiore splendore della musica classica. Esso abbraccia circa 300 anni, approssimativamente dal 1600 al 1900, e comprende il barocco, il classicismo e il romanticismo. Fra i compositori più importanti si annoverano Antonio Vivaldi, Georg Friedrich Händel, Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert e molti altri ancora. (it) 在古典音乐史中，共晓时期（英語：Common practice period）是指从调性体系的形成到瓦解的这段时期。一般来说，巴洛克音乐中后期、古典主义时期和浪漫主义时期，或者说从大约1650年到1900年的这段时期是典型的共晓时期。共晓时期特有的主流音乐模式和一些约定俗成的惯例将其同其他音乐时期区分开来，其中最具识别性的特征是其对调性体系的强烈依赖。 (zh) Komunpraktika periodo aŭ periodo de komuna praktiko estas epoko de klasika muziko. En la historio de eŭropa altkultura muziko (pli larĝe nomata klasika muziko), la nomita komunpraktika periodo – etenda al plej de la baroka, klasika, kaj romantika muzikoj – daŭraj el ĉirkaŭ 1600 al ĉirkaŭ 1900. Foje, terminologioj estas inversataj ĉe kelkaj fakuloj. (eo) El período de la práctica común es aquel de la música occidental europea que transcurre entre la formación del sistema tonal hasta la creación del sistema atonal. Abarca aproximadamente unos trescientos años, desde aproximadamente 1600 a 1900, y recorre los períodos Barroco, Clasicismo y Romanticismo. Los compositores más destacados fueron Antonio Vivaldi, Georg Friedrich Händel, Johann Sebastian Bach, Joseph Haydn, Richard Wagner, Niccolo Paganini, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert y muchos otros más que todavía hoy se interpretan con frecuencia. (es)
rdfs:seeAlso	Functional harmony
dcterms:subject	Common practice period
Wikipage page ID	415263 (xsd:integer)
Wikipage revision ID	1111532970 (xsd:integer)
Link from a Wikipage to another Wikipage	Romantic Music John Tyrrell (musicologist) Rhythm Richard Strauss Variation (music) Degree (music) Duration (music) Counterpoint Melody Chord progressions Ornament (music) Tercet Chromatic Musical composition Common practice period Pedal point Pitch (music) Major chord Synchronization Time signature Tonality Trill (music) Anacrusis Diatonic scale Tactus Harmony Baroque Music Tempo Chord progression Johann Sebastian Bach Tremolo Art music Sonata form Metric structure Metre (music) Twelve-bar blues Root (chord) Stanley Sadie Section (music) Shuffle note Composite rhythm Roman numeral analysis Intrametric Tone quality Music theorist Classical music era Rhythmic gesture Rhythmic unit Contrametric Pulse group Extrametric
Link from a Wikipage to an external page	https://newmusicusa.org/nmbx/no-common-practice-the-new-common-practice-and-its-historical-antecedents/2/ https://web.archive.org/web/20090629213200/http:/thebluehighway.com/history.html https://kb.osu.edu/dspace/bitstream/handle/1811/36604/1/EMR000064b_Konecni.pdf%7Caccess-date=
reference	London, Justin . "Rhythm, §II: Historical Studies of Rhythm". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) Winold, Allen . "Rhythm in Twentieth-Century Music". In Aspects of Twentieth-Century Music, edited by Richard Peter Delone and Gary Wittlich, Englewood Cliffs, New Jersey: Prentice-Hall. . pp. 208-269. (en) Tanner, Paul, and Maurice Gerow . A Study of Jazz. Dubuque, Iowa: William C. Brown Publishers. Cited in Robert M. Baker, "A Brief History of the Blues". TheBlueHighway.com. (en) Kliewer, Vernon . "Melody: Linear Aspects of Twentieth-Century Music". In Aspects of Twentieth-Century Music, edited by Gary Wittlich, pp. 270–301. Englewood Cliffs, New Jersey: Prentice-Hall. . (en)
sameAs	Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period Common practice period
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