About: Credulity, Superstition, and Fanaticism

Facets (new session)
Description
Metadata
Settings
- Rule:
- Inverse Functional Properties:
- "Same As":

About: Credulity, Superstition, and Fanaticism Goto Sponge NotDistinct Permalink

An Entity of Type : dbo:Artwork, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon

http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FCredulity%2C_Superstition%2C_and_Fanaticism&invfp=IFP_OFF&sas=SAME_AS_OFF&graph=http%3A%2F%2Fdbpedia.org&graph=http%3A%2F%2Fdbpedia.org

Credulity, Superstition and Fanaticism is a satirical print by the English artist William Hogarth. It ridicules secular and religious credulity, and lampoons the exaggerated religious "enthusiasm" (excessive emotion, not keenness) of the Methodist movement. The print was originally engraved in 1761, with the title Enthusiasm Delineated, but never published. The original print may have been a response to three essays published by Joshua Reynolds in The Idler in 1759, praising the sublime work of Italian Counter-Reformation artists. Hogarth reworked the engraving before publishing it on 15 March 1762 as Credulity, Superstition and Fanaticism: A Medley. It echoes his earlier print, The Sleeping Congregation of 1736, in which an Anglican clergyman's boring sermon puts his congregation to sleep

Attributes	Values
rdf:type	Thing schema:CreativeWork work wikidata:Q386724 artwork
rdfs:label	Credulity, Superstition, and Fanaticism (en)
rdfs:comment	Credulity, Superstition and Fanaticism is a satirical print by the English artist William Hogarth. It ridicules secular and religious credulity, and lampoons the exaggerated religious "enthusiasm" (excessive emotion, not keenness) of the Methodist movement. The print was originally engraved in 1761, with the title Enthusiasm Delineated, but never published. The original print may have been a response to three essays published by Joshua Reynolds in The Idler in 1759, praising the sublime work of Italian Counter-Reformation artists. Hogarth reworked the engraving before publishing it on 15 March 1762 as Credulity, Superstition and Fanaticism: A Medley. It echoes his earlier print, The Sleeping Congregation of 1736, in which an Anglican clergyman's boring sermon puts his congregation to sleep (en)
foaf:name	Credulity, Superstition, and Fanaticism (en)
foaf:depiction
dcterms:subject	1762 works Prints by William Hogarth
Wikipage page ID	26973767 (xsd:integer)
Wikipage revision ID	1095019382 (xsd:integer)
Link from a Wikipage to another Wikipage	Enthusiasm Horace Walpole John Wesley Joshua Reynolds Julius Caesar Devil Incubus Mary Toft George Whitefield Box pew Credulity 1762 works Harlequin Brutus William Hogarth Drummer of Tedworth Daniel Defoe Joseph Glanvill Religious ecstasy Pulpit Counter-Reformation Prints by William Hogarth Cock Lane ghost William Romaine The Apparition of Mrs. Veal Gridiron (cooking) George Villiers (of Brokesby) Forty-four Sermons Saducismus Triumphatus Tonsure Methodist The Idler (1758–1760) Jesuit dbr:Boy_of_Bilson
sameAs	Credulity, Superstition, and Fanaticism Credulity, Superstition, and Fanaticism Credulity, Superstition, and Fanaticism
dbp:wikiPageUsesTemplate	dbt:William_Hogarth dbt:Authority_control dbt:EngvarB dbt:Reflist dbt:Use_dmy_dates dbt:Infobox_Painting dbt:Bible_verse
thumbnail	wiki-commons:Special:FilePath/Credulity,_Superstition,_and_Fanaticism_MET_DP835452.jpg?width=300
artist	William Hogarth
image file	Credulity, Superstition, and Fanaticism MET DP835452.jpg (en)
image size	300 (xsd:integer)
title	Credulity, Superstition, and Fanaticism (en)
year	1762 (xsd:integer)
has abstract	Credulity, Superstition and Fanaticism is a satirical print by the English artist William Hogarth. It ridicules secular and religious credulity, and lampoons the exaggerated religious "enthusiasm" (excessive emotion, not keenness) of the Methodist movement. The print was originally engraved in 1761, with the title Enthusiasm Delineated, but never published. The original print may have been a response to three essays published by Joshua Reynolds in The Idler in 1759, praising the sublime work of Italian Counter-Reformation artists. Hogarth reworked the engraving before publishing it on 15 March 1762 as Credulity, Superstition and Fanaticism: A Medley. It echoes his earlier print, The Sleeping Congregation of 1736, in which an Anglican clergyman's boring sermon puts his congregation to sleep. (en)
gold:hypernym	Print
prov:wasDerivedFrom	wikipedia-en:Credulity,_Superstition,_and_Fanaticism?oldid=1095019382&ns=0
page length (characters) of wiki page	7892 (xsd:nonNegativeInteger)
author	William Hogarth
foaf:isPrimaryTopicOf	wikipedia-en:Credulity,_Superstition,_and_Fanaticism
is Link from a Wikipage to another Wikipage of	Mary Toft William Hogarth Credulity, Superstition and Fanaticism Methodism Methodist Church of Great Britain List of works by William Hogarth
is Wikipage redirect of	Credulity, Superstition and Fanaticism
is foaf:primaryTopic of	wikipedia-en:Credulity,_Superstition,_and_Fanaticism

Faceted Search & Find service v1.17_git139 as of Feb 29 2024

Alternative Linked Data Documents: ODE Content Formats:

RDF

ODATA

Microdata

About

OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 58 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software