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Kurt Kren (born 20 September 1929; died 23 June 1998 in Vienna) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted, although this accounts for only a part of his career, and he later returned to the Structural roots of his third film 3/60: Bäume Im Herbst. Although not a seminal Structural film, 31/75: Asyl is arguably one of the more satisfying films of the movement.

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  • Kurt Kren (de)
  • Kurt Kren (fr)
  • Kurt Kren (en)
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  • Kurt Kren (* 20. September 1929 in Wien; † 23. Juni 1998 ebenda) war ein österreichischer avantgardistischer Filmemacher. (de)
  • Kurt Kren (Vienne 20 septembre 1929 - Vienne 23 juin 1998) est un artiste autrichien qui s'est beaucoup investi dans le cinéma expérimental. Il est connu entre autres pour avoir immortalisé les actionnistes de Vienne dans les années 60. (fr)
  • Kurt Kren (born 20 September 1929; died 23 June 1998 in Vienna) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted, although this accounts for only a part of his career, and he later returned to the Structural roots of his third film 3/60: Bäume Im Herbst. Although not a seminal Structural film, 31/75: Asyl is arguably one of the more satisfying films of the movement. (en)
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  • Kurt Kren (en)
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  • Kurt Kren (* 20. September 1929 in Wien; † 23. Juni 1998 ebenda) war ein österreichischer avantgardistischer Filmemacher. (de)
  • Kurt Kren (Vienne 20 septembre 1929 - Vienne 23 juin 1998) est un artiste autrichien qui s'est beaucoup investi dans le cinéma expérimental. Il est connu entre autres pour avoir immortalisé les actionnistes de Vienne dans les années 60. (fr)
  • Kurt Kren (born 20 September 1929; died 23 June 1998 in Vienna) was an Austrian avant-garde filmmaker. He is best known for his involvement with the Vienna Aktionists and the group of films that resulted, although this accounts for only a part of his career, and he later returned to the Structural roots of his third film 3/60: Bäume Im Herbst. Although not a seminal Structural film, 31/75: Asyl is arguably one of the more satisfying films of the movement. (en)
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  • 0470825
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