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Maurice Magnus (7 November 1876 – 4 November 1920) was an American traveller and author of Memoirs of the Foreign Legion (1924), which exposed the cruelty and depravity of life in that French army unit in 1916–17 and tells of his desertion from it. His father was Jewish-American, and his mother "believed herself the illegitimate daughter of Wilhelm I, King of Prussia and first German Kaiser." Frances Wilson writes:

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  • Maurice Magnus (en)
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  • Maurice Magnus (7 November 1876 – 4 November 1920) was an American traveller and author of Memoirs of the Foreign Legion (1924), which exposed the cruelty and depravity of life in that French army unit in 1916–17 and tells of his desertion from it. His father was Jewish-American, and his mother "believed herself the illegitimate daughter of Wilhelm I, King of Prussia and first German Kaiser." Frances Wilson writes: (en)
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  • Maurice Magnus (en)
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  • Maurice Magnus (en)
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  • Malta (en)
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  • American (en)
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  • Memoirs of the Foreign Legion (en)
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  • Maurice Magnus (7 November 1876 – 4 November 1920) was an American traveller and author of Memoirs of the Foreign Legion (1924), which exposed the cruelty and depravity of life in that French army unit in 1916–17 and tells of his desertion from it. His father was Jewish-American, and his mother "believed herself the illegitimate daughter of Wilhelm I, King of Prussia and first German Kaiser." Magnus's Memoirs of the Foreign Legion, published after his death, were notable for igniting a long-running feud between two of the most distinguished expatriate English authors, D. H. Lawrence and Norman Douglas, who had been close friends of his. Both the book and the feud surrounding it touched on homosexuality and bisexuality in a way that could not legally be referenced at the time. More recent revelations have added new insights into Lawrence as the prophet of love. Magnus was reportedly the manager of the dancer Isadora Duncan. ″Isadora later maintained that Magnus had been her secretary, not her manager.″ Magnus was also the manager of the English theater set designer (and Duncan's lover) Edward Gordon Craig. "Lawrence used Magnus as a model for his creation of the fictional character Mr. May, the theatrical agent in The Lost Girl." Magnus is also "recognizable ... as the mischievously named Little Mee in Aaron's Rod (1922)." Lawrence biographer Frances Wilson claims that Lawrence's poem The Mosquito is "a summing up of his relations with Magnus to date and a parody of his belief in a blood brotherhood." She also claims that, in Lawrence's poem "Bibbles," Magnus is Bibbles, the "snub-nosed bitch." Frances Wilson writes: Magnus learned to speak several languages badly, to produce indifferent prose, to mismanage money, to appreciate good food and to keep up appearances. He wanted to be known as a 'littérateur ' ('littérateur!' mocked Lawrence, '—the impossible little pigeon!'), and his adventures in the world of letters can be traced through the curious trail of publications he left behind. In his early twenties Magnus wrote a play called Eldyle about a visionary who turns his back on the world and builds a monastery to which young and beautiful men can retreat.... Eldyle was published in 1898. In the same year Magnus is credited as a 'translator and compiler' in the American Colonial Handbook, volumes one and two. In 1901 he worked — probably as manager — for a new literary magazine called the Smart Set, which would later publish a number of Lawrence's poems and stories. In 1902 he abandoned the Lutheran church and converted to Catholicism, and by 1903 he had left America for good and was to be found in Berlin, writing articles for the Berlin Times and Florence Herald. For a brief period, Maurice Magnus was Berlin correspondent for the New York Herald. Minutes before his suicide in Malta (to avoid arrest for debt), Magnus made Douglas his literary executor, but the memoirs in their original form, titled Dregs: Experiences of an American in the Foreign Legion, were unpublishable. They duly appeared, in edited form, with a long introduction by Lawrence, whose name helped to sell the work. Douglas protested that Lawrence had maligned Magnus as an unprincipled spendthrift, and had exaggerated Lawrence's own generosity towards him. Lawrence published a letter to the editor in reply. As Lawrence seldom ventured into biography, Douglas said he detected the fiction-writer's touch in this introduction. An early draft of the introduction in manuscript, now in the possession of the University of Nottingham, shows that Lawrence had intended an even more savage denunciation of Magnus. (en)
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