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Men, Women, and Chain Saws: Gender in the Modern Horror Film is a non-fiction book by American academic Carol J. Clover, published in 1992. The book is a cultural critique and investigation of gender in slasher films and the appeal of horror cinema, in particular the slasher, occult, and rape-revenge genres, from a feminist perspective. Although these films seem to offer sadistic pleasure to their viewers, Clover argues that these films are designed to align spectators not with the male tormentor, but with the female victim—the "final girl"—who finally defeats her oppressor. The book was nominated for the Bram Stoker Award for Best Non-Fiction in 1992.

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  • الرجال والنساء والمناشير السلسلية (ar)
  • Men, Women, and Chainsaws (en)
  • Men, Women, and Chainsaws (pt)
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  • Men, Women, and Chain Saws: Gender in the Modern Horror Film is a non-fiction book by American academic Carol J. Clover, published in 1992. The book is a cultural critique and investigation of gender in slasher films and the appeal of horror cinema, in particular the slasher, occult, and rape-revenge genres, from a feminist perspective. Although these films seem to offer sadistic pleasure to their viewers, Clover argues that these films are designed to align spectators not with the male tormentor, but with the female victim—the "final girl"—who finally defeats her oppressor. The book was nominated for the Bram Stoker Award for Best Non-Fiction in 1992. (en)
  • Men, Women, and Chain Saws: Gender in the Modern Horror Film é um livro escrito pela americana Carol J. Clover em 1992. Nele, ela investiga os gêneros em filmes de terror e o apelo do cinema de terror, em particular os filmes slasher, de ocultismo e de estupro e vingança, a partir de uma perspectiva feminista. Embora esses filmes pareçam oferecer prazer sádico a seus telespectadores, Clover argumenta que essas películas são criadas para fazer com que os espectadores se identifiquem não com o vilão, mas, sim, com a vítima feminina — a "final girl"—, que finalmente derrota seu perseguidor. O livro foi nomeado ao Bram Stoker Awards de 1992 na categoria de Melhor não-ficção. (pt)
  • الرجال والنساء والمناشير السلسلية: الجندر في فيلم الرعب الحديث هو كتاب غير خيالي للأكاديمية الأمريكية كارول جاي كلوفر، نُشرته عام 1992. يعرض الكتاب نقدًا ثقافيًا وتحقيقًا للجندر في أفلام التقطيع وسينما الرعب، وخاصة أنواع أفلام القتل المُتسلسل والغموض والانتقام من منظور نسوي. صاغت كارول جاي كلوفر مصطلح الفتاة الأخيرة في هذا الكتاب، في فيلم الرعب الحديث عام 1992. واقترحت كلوفر فكرة أن المُشاهد في هذه الأفلام يبدأ بمُشاركة وجهة نظر القاتل، ولكنه يشهد تحولًا في تحديد هوية الفتاة الأخيرة بشكل جزئي خلال الفيلم. (ar)
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  • Men, Women, and Chain Saws: Gender in the Modern Horror Film (en)
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  • Men, Women, and Chain Saws: Gender in the Modern Horror Film (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Men,_Women,_and_Chainsaws.jpg
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  • Princeton University Press
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  • Cover of the first edition (en)
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  • United States (en)
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  • English (en)
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  • Print (en)
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  • الرجال والنساء والمناشير السلسلية: الجندر في فيلم الرعب الحديث هو كتاب غير خيالي للأكاديمية الأمريكية كارول جاي كلوفر، نُشرته عام 1992. يعرض الكتاب نقدًا ثقافيًا وتحقيقًا للجندر في أفلام التقطيع وسينما الرعب، وخاصة أنواع أفلام القتل المُتسلسل والغموض والانتقام من منظور نسوي. صاغت كارول جاي كلوفر مصطلح الفتاة الأخيرة في هذا الكتاب، في فيلم الرعب الحديث عام 1992. واقترحت كلوفر فكرة أن المُشاهد في هذه الأفلام يبدأ بمُشاركة وجهة نظر القاتل، ولكنه يشهد تحولًا في تحديد هوية الفتاة الأخيرة بشكل جزئي خلال الفيلم. على الرغم من أن هذه الأفلام تبدو أنها تقدم مُتعة سادية للمشاهدين، إلا أن كلوفر تقول بأن هذه الأفلام مُصممة لمُحاذاة المُشاهدين ليس مع المعذّب الذكوري ولكن مع الضحية الأنثوية، وهي الفتاة الأخيرة - التي هزمت ظالمها في النهاية. رُشح الكتاب لجائزة برام ستوكر لأفضل فيلم روائي عام 1992. (ar)
  • Men, Women, and Chain Saws: Gender in the Modern Horror Film is a non-fiction book by American academic Carol J. Clover, published in 1992. The book is a cultural critique and investigation of gender in slasher films and the appeal of horror cinema, in particular the slasher, occult, and rape-revenge genres, from a feminist perspective. Although these films seem to offer sadistic pleasure to their viewers, Clover argues that these films are designed to align spectators not with the male tormentor, but with the female victim—the "final girl"—who finally defeats her oppressor. The book was nominated for the Bram Stoker Award for Best Non-Fiction in 1992. (en)
  • Men, Women, and Chain Saws: Gender in the Modern Horror Film é um livro escrito pela americana Carol J. Clover em 1992. Nele, ela investiga os gêneros em filmes de terror e o apelo do cinema de terror, em particular os filmes slasher, de ocultismo e de estupro e vingança, a partir de uma perspectiva feminista. Embora esses filmes pareçam oferecer prazer sádico a seus telespectadores, Clover argumenta que essas películas são criadas para fazer com que os espectadores se identifiquem não com o vilão, mas, sim, com a vítima feminina — a "final girl"—, que finalmente derrota seu perseguidor. O livro foi nomeado ao Bram Stoker Awards de 1992 na categoria de Melhor não-ficção. (pt)
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  • 0-691-00620-2
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