Nonna Abelarda (literally Grandma Abelarda) is a comic fictional character created by Giovan Battista Carpi. Abelarda first appeared in 1955, as a side character in the Volpetto comic strips; from 1957 to 1991 she also was the main focus of the comic book series Soldino, in the role of nurse and bodyguard of the title character. Over the years she had similar roles in other less successful comic books published by Edizioni Bianconi such as Bongo and Provolino, and was leading character of an eponym comic book, Nonna Abelarda, published between 1971 and 1974.
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| - Nonna Abelarda (it)
- Tartine Mariol (fr)
- Nonna Abelarda (en)
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| - Nonna Abelarda è un personaggio dei fumetti ideato da Giovan Battista Carpi nel 1955 protagonista di varie serie a fumetti pubblicate sia in Italia dalle edizioni Bianconi per oltre quarant'anni, che in Francia. Protagonista di numerose storie umoristiche per bambini caratterizzate da un divertente uso di assurdità e paradossi - una sorta di Braccio di Ferro al femminile - il personaggio riscuote grande popolarità intorno agli anni sessanta. (it)
- Nonna Abelarda (literally Grandma Abelarda) is a comic fictional character created by Giovan Battista Carpi. Abelarda first appeared in 1955, as a side character in the Volpetto comic strips; from 1957 to 1991 she also was the main focus of the comic book series Soldino, in the role of nurse and bodyguard of the title character. Over the years she had similar roles in other less successful comic books published by Edizioni Bianconi such as Bongo and Provolino, and was leading character of an eponym comic book, Nonna Abelarda, published between 1971 and 1974. (en)
- Tartine Mariol (italien : Nonna Abelarda, littéralement grand-mère Abelarde), plus connue en France sous le nom de Tartine est un personnage de fiction créé par Giulio Chierchini dans sa série Renardeau en 1955 pour la revue Trottolino et rapidement repris par Giovan Battista Carpi (d'autres auteurs suivront ensuite). Ce personnage apparaît dès fin 1956 dans des publications francophones sous le nom Tartine Mariol — jeu de mots sur l'actrice Martine Carol, dû à l'éditeur Jean Chapelle. (fr)
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| - Tartine Mariol (italien : Nonna Abelarda, littéralement grand-mère Abelarde), plus connue en France sous le nom de Tartine est un personnage de fiction créé par Giulio Chierchini dans sa série Renardeau en 1955 pour la revue Trottolino et rapidement repris par Giovan Battista Carpi (d'autres auteurs suivront ensuite). Tartine est une grand-mère à la force herculéenne et à l'énergie sans limite dont le seul point faible est son cor au pied gauche. Assez maigre, portant un lorgnon, elle a un menton en galoche et un nez crochu ; ses rares dents — une en haut et une en bas — sont parfois visibles. Elle vit dans le royaume de Fantasia dont le roi est le gentil roi Toto II (Soldino en Italie) qu'elle protège de son oncle le duc de la Frite. Ce personnage apparaît dès fin 1956 dans des publications francophones sous le nom Tartine Mariol — jeu de mots sur l'actrice Martine Carol, dû à l'éditeur Jean Chapelle. (fr)
- Nonna Abelarda (literally Grandma Abelarda) is a comic fictional character created by Giovan Battista Carpi. Abelarda first appeared in 1955, as a side character in the Volpetto comic strips; from 1957 to 1991 she also was the main focus of the comic book series Soldino, in the role of nurse and bodyguard of the title character. Over the years she had similar roles in other less successful comic books published by Edizioni Bianconi such as Bongo and Provolino, and was leading character of an eponym comic book, Nonna Abelarda, published between 1971 and 1974. The comics were also successfully published in France, where Nonna Abelarda was named Tartine Mariol in reference to French actress Martine Carol. (en)
- Nonna Abelarda è un personaggio dei fumetti ideato da Giovan Battista Carpi nel 1955 protagonista di varie serie a fumetti pubblicate sia in Italia dalle edizioni Bianconi per oltre quarant'anni, che in Francia. Protagonista di numerose storie umoristiche per bambini caratterizzate da un divertente uso di assurdità e paradossi - una sorta di Braccio di Ferro al femminile - il personaggio riscuote grande popolarità intorno agli anni sessanta. (it)
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