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About: Robert Schumann's Davidsbündlertänze     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat1980BalletPremieres, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: yago:WikicatBalletsByGeorgeBalanchineyago:WikicatBalletsToTheMusicOfRobertSchumannyago:Abstraction100002137yago:Act100030358yago:Activity100407535yago:Ballet100528667yago:Cognition100023271yago:Content105809192yago:Dancing100428270yago:Discipline105996646yago:Diversion100426928yago:Event100029378yago:HumanisticDiscipline106153846yago:KnowledgeDomain105999266yago:Performance106891493yago:PerformingArts106157326yago:Premiere106893285yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntityyago:Show106619065yago:SocialEvent107288639yago:StageDancing100528397yago:Wikicat1980BalletPremieres New Facet based on Instances of this Class

Robert Schumann’s “Davidsbündlertänze” is one of the last major works made by New York City Ballet's founding choreographer and balletmaster-in-chief, George Balanchine. It is set to Robert Schumann's Davidsbündlertänze (Dances of the League of David), Op. 6 (1837). The idea for setting this piano work very likely came from a work created by Robert Joffrey for his own Joffrey Ballet Company, the premier of which took place at the City Center Theater in the late 1970s. Joffrey, in turn, received his inspiration from Jonathan Watts, a protege of Joffrey's and director of the Joffrey apprentice company, who, at the suggestion of pianist Neil Stannard, created a ballet titled Evening Dialogues to this same score. This initial version of the Schumann cycle was featured on tour with the Joffrey