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"Blue Yodel #9" (also called "Standing on the Corner" from the opening line) is a blues-country song by Jimmie Rodgers and is the ninth of his "Blue Yodels". Rodgers recorded the song on July 16, 1930 in Los Angeles with an unbilled Louis Armstrong on trumpet and his wife Lil Hardin Armstrong on piano. Armstrong and Hardin were not listed on this session due to Armstrong's contract with Okeh; this session was for Victor. According to Thomas Brothers, the irregular blues form along with the irregular phrases used by Rodgers frequently threw off Armstrong until he reached his own solo chorus, where he sticks to a regular 12 bar blues form.

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  • Blue Yodel No. 9 (it)
  • Standing on the Corner (Blue Yodel No. 9) (en)
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  • Blue Yodel No. 9 (altrimenti conosciuta come Standing on the Corner, dalla frase d'apertura del testo), è una canzone country/blues di Jimmie Rodgers, nona composizione appartenente alle sue canzoni Blue Yodel. Tra le canzoni più conosciute di Rodgers, è spesso indicata come una delle sue migliori registrazioni. La rivista di critica musicale Rolling Stone l'ha inserita in quinta posizione nella lista delle 100 migliori canzoni country della storia. (it)
  • "Blue Yodel #9" (also called "Standing on the Corner" from the opening line) is a blues-country song by Jimmie Rodgers and is the ninth of his "Blue Yodels". Rodgers recorded the song on July 16, 1930 in Los Angeles with an unbilled Louis Armstrong on trumpet and his wife Lil Hardin Armstrong on piano. Armstrong and Hardin were not listed on this session due to Armstrong's contract with Okeh; this session was for Victor. According to Thomas Brothers, the irregular blues form along with the irregular phrases used by Rodgers frequently threw off Armstrong until he reached his own solo chorus, where he sticks to a regular 12 bar blues form. (en)
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  • Standing on the Corner (en)
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  • Standing on the Corner (en)
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  • song (en)
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  • Jimmie Rodgers (en)
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  • "Blue Yodel #9" (also called "Standing on the Corner" from the opening line) is a blues-country song by Jimmie Rodgers and is the ninth of his "Blue Yodels". Rodgers recorded the song on July 16, 1930 in Los Angeles with an unbilled Louis Armstrong on trumpet and his wife Lil Hardin Armstrong on piano. Armstrong and Hardin were not listed on this session due to Armstrong's contract with Okeh; this session was for Victor. According to Thomas Brothers, the irregular blues form along with the irregular phrases used by Rodgers frequently threw off Armstrong until he reached his own solo chorus, where he sticks to a regular 12 bar blues form. The song is set in Memphis at the corner of Beale Street and Main Street, a block from the current location of B.B. King's Blues Club. It tells a tale warning all the "rounders" in Memphis of the arrival a "Tennessee hustler". As he tells a policeman who demands his name: I said, you'll find my name on the tail of my shirtI'm a Tennessee hustler and I don't have to work The song was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 1970, Armstrong performed the song with Johnny Cash on The Johnny Cash Show. (en)
  • Blue Yodel No. 9 (altrimenti conosciuta come Standing on the Corner, dalla frase d'apertura del testo), è una canzone country/blues di Jimmie Rodgers, nona composizione appartenente alle sue canzoni Blue Yodel. Tra le canzoni più conosciute di Rodgers, è spesso indicata come una delle sue migliori registrazioni. La rivista di critica musicale Rolling Stone l'ha inserita in quinta posizione nella lista delle 100 migliori canzoni country della storia. (it)
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