• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Two or Three Things I Know About Her     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchFilms, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1960sDramaFilmsyago:Wikicat1967Filmsyago:WikicatFilmsAboutProstitutionyago:WikicatFilmsBasedOnShortFictionyago:WikicatFilmsDirectedByJean-LucGodardyago:WikicatFrenchFilms New Facet based on Instances of this Class

Two or Three Things I Know About Her (French: Deux ou trois choses que je sais d'elle) is a 1967 French New Wave film written and directed by Jean-Luc Godard, one of three features he completed that year. As with the other two (La Chinoise and Weekend), it is considered both socially and stylistically radical. Village Voice critic Amy Taubin considers the film to be among the greatest achievements in filmmaking.