Étude Op. 10, No. 10, in A♭ major, is a technical study composed by Frédéric Chopin. This étude places huge demands on the performer in varying a single pattern by changes of accent and touch. Chopin's primary concern in this work is for the widest possible variety of touch that can be given to a single figuration, with the continuous changes of accent highlighting not only different parts of the figuration but also emphasizing the polyphonic nature of the pattern.
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| - Estudi op. 10, núm. 10 (Chopin) (ca)
- Σπουδή Op. 10, No. 10 (Σοπέν) (el)
- Étude op. 10, no 10 de Chopin (fr)
- 연습곡 Op. 10, 10번 (쇼팽) (ko)
- Etiuda op. 10 nr 10 (Chopin) (pl)
- Étude Op. 10, No. 10 (Chopin) (en)
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| - L'"Estudi op. 10 núm. 10", en la bemoll major, és un dels dotze Estudis op. 10 per a piano compostos per Frédéric Chopin. Aquesta peça exigeix tècnicament a l'intèrpret pels canvis d'accent i l'atac de la tecla. La principal preocupació de Chopin en aquest treball és la varietat més àmplia possible del contacte que es pot donar, amb els continus canvis d'accent que destaca no només diferents parts del dibuix melòdic, sinó també posant l'accent en la naturalesa polifònica de la música. (ca)
- Η Σπουδή Op. 10, No. 10, σε Λα ύφεση μείζονα, είναι σπουδή του Φρεντερίκ Σοπέν, που γράφτηκε το το 1830. Δημοσιεύτηκε πρώτη φορά το 1833, μαζί με τις άλλες Opus 10, σε Γαλλία, Γερμανία και Αγγλία. Η συγκεκριμένη σπουδή είναι υψηλής δυσκολίας από την άποψη της έκφρασης. Είναι κι αυτή χωρισμένη σε τρία μέρη όπως όλες εξάλλου οι σπουδές του Σοπέν. Μία μέση εκτέλεσή της διαρκεί περίπου 3,30 λεπτά. (el)
- L'Étude op. 10, no 10, en la♭ majeur, est une étude technique composée par Frédéric Chopin. Cette étude exige beaucoup de l'interprète qui doit faire varier un seul motif par des changements d'accent et de toucher. Le souci principal de Chopin dans cette œuvre est de donner la plus grande variété possible de toucher à une seule figuration, les changements continus d'accent mettant en valeur non seulement les différentes parties de la figuration mais aussi la nature polyphonique du motif. (fr)
- 쇼팽의 연습곡 Op. 10, 10번(Étude Op. 10, No. 10)은 프레데리크 쇼팽이 작곡한 연습곡 중 작품번호 제10번의 10번에 해당하는 곡이다. 이 곡은 매우 빠른 빠르기로 악센트의 변화와 조표, 조성의 전환에 노력을 기울이는 것을 기초로 하며 쇼팽이 작곡할 때에 그는 하나의 형태로 가장 많은 음을 표현할 수 있는 방법을 고심하다가 특정한 음에 악센트를 표기해서 딱딱한 음에 변화를 가져다주고 곡 전체의 흐름에 영향을 미치게 하도록 하는 방법을 생각해내었다.한국인들 사이에서 ‘제비’라고 불리기도 하는 곡이다 (ko)
- Etiuda As-dur op. 10.10 - dziesiąta z Etiud Fryderyka Chopina. Została skomponowana na fortepian. Zadedykowana Lisztowi (à son ami Franz Liszt), jak cały opus 10. (pl)
- Étude Op. 10, No. 10, in A♭ major, is a technical study composed by Frédéric Chopin. This étude places huge demands on the performer in varying a single pattern by changes of accent and touch. Chopin's primary concern in this work is for the widest possible variety of touch that can be given to a single figuration, with the continuous changes of accent highlighting not only different parts of the figuration but also emphasizing the polyphonic nature of the pattern. (en)
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| - Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
- Étude Op. 10, No. 10 (Chopin)
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| - Performed by Martha Goldstein on an 1851 Erard piano. (en)
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| - Frederic Chopin - Opus 10 - Twelve Grand Etudes - A flat Major.ogg (en)
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| - Étude Op. 10, No. 10 (en)
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| - Etudes_Op.10_%28Chopin%2C_Frederic%29 (en)
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| - L'"Estudi op. 10 núm. 10", en la bemoll major, és un dels dotze Estudis op. 10 per a piano compostos per Frédéric Chopin. Aquesta peça exigeix tècnicament a l'intèrpret pels canvis d'accent i l'atac de la tecla. La principal preocupació de Chopin en aquest treball és la varietat més àmplia possible del contacte que es pot donar, amb els continus canvis d'accent que destaca no només diferents parts del dibuix melòdic, sinó també posant l'accent en la naturalesa polifònica de la música. (ca)
- Η Σπουδή Op. 10, No. 10, σε Λα ύφεση μείζονα, είναι σπουδή του Φρεντερίκ Σοπέν, που γράφτηκε το το 1830. Δημοσιεύτηκε πρώτη φορά το 1833, μαζί με τις άλλες Opus 10, σε Γαλλία, Γερμανία και Αγγλία. Η συγκεκριμένη σπουδή είναι υψηλής δυσκολίας από την άποψη της έκφρασης. Είναι κι αυτή χωρισμένη σε τρία μέρη όπως όλες εξάλλου οι σπουδές του Σοπέν. Μία μέση εκτέλεσή της διαρκεί περίπου 3,30 λεπτά. (el)
- L'Étude op. 10, no 10, en la♭ majeur, est une étude technique composée par Frédéric Chopin. Cette étude exige beaucoup de l'interprète qui doit faire varier un seul motif par des changements d'accent et de toucher. Le souci principal de Chopin dans cette œuvre est de donner la plus grande variété possible de toucher à une seule figuration, les changements continus d'accent mettant en valeur non seulement les différentes parties de la figuration mais aussi la nature polyphonique du motif. (fr)
- 쇼팽의 연습곡 Op. 10, 10번(Étude Op. 10, No. 10)은 프레데리크 쇼팽이 작곡한 연습곡 중 작품번호 제10번의 10번에 해당하는 곡이다. 이 곡은 매우 빠른 빠르기로 악센트의 변화와 조표, 조성의 전환에 노력을 기울이는 것을 기초로 하며 쇼팽이 작곡할 때에 그는 하나의 형태로 가장 많은 음을 표현할 수 있는 방법을 고심하다가 특정한 음에 악센트를 표기해서 딱딱한 음에 변화를 가져다주고 곡 전체의 흐름에 영향을 미치게 하도록 하는 방법을 생각해내었다.한국인들 사이에서 ‘제비’라고 불리기도 하는 곡이다 (ko)
- Étude Op. 10, No. 10, in A♭ major, is a technical study composed by Frédéric Chopin. This étude places huge demands on the performer in varying a single pattern by changes of accent and touch. Chopin's primary concern in this work is for the widest possible variety of touch that can be given to a single figuration, with the continuous changes of accent highlighting not only different parts of the figuration but also emphasizing the polyphonic nature of the pattern. The opening section (bars 1–16) sets forth the three basic variations with almost a constant legato bass line; off-beat with four accents per bar in the right hand against four in the left hand (bars 1–8); then on-beat but with six accents in the right hand against four in the left (bars 9–12); and finally both hands staccato with no accents. The central section (bars 17–54) develops the opening theme through a series of modulations (E major, D♭ major, A major and E♭ major) with the accents in the right hand either being on- or off-beat. This is likely designed primarily to test the skills learnt in the first section. The climax of the central section starts at bar 43 and at this point it is the left hand that is playing off-beat whilst the right hand maintains a strict four beats per bar. The piece modulates back to the tonic of A♭ in bar 55. The final section (bars 55–77) is a reprise of the opening theme, but with several modulations embedded within the final bars, all underpinned by a dominant pedal point. The tonic appears only very briefly in this final section and is not fully reestablished until bar 69, which is effectively the coda. (en)
- Etiuda As-dur op. 10.10 - dziesiąta z Etiud Fryderyka Chopina. Została skomponowana na fortepian. Zadedykowana Lisztowi (à son ami Franz Liszt), jak cały opus 10. (pl)
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