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Śārṅgadeva (1175–1247) (Hindi: शार्ङ्गदेव), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored Sangita Ratnakara – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions.

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  • Śārṅgadeva (en)
  • 沙楞伽提婆 (zh)
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  • 沙楞伽提婆(印地語:शार्ङ्गदेव,羅馬化:Śārṅga-dēva;乌尔都语:شرنگدوفا‎‎;1175年-1247年),英語轉寫作Sharngadeva ,是印度最重要的音樂理論家。曾任宮廷樂師。他的論著有《》,共七卷,分述樂音、調式、曲體與作曲、歌唱法、節拍與節奏、樂器與器樂、舞蹈與表演,是印度婆羅多牟尼《》(即《》)以後印度第一部最重要的音樂論著。現今南印度音樂的調式體系仍以此書闡述的基本調式(相當於c d d f g a a c )為基礎。 (zh)
  • Śārṅgadeva (1175–1247) (Hindi: शार्ङ्गदेव), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored Sangita Ratnakara – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions. (en)
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  • Śārṅgadeva (1175–1247) (Hindi: शार्ङ्गदेव), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored Sangita Ratnakara – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions. Śārṅgadeva was born in a Brahmin family of Kashmir. In an era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region ruled by the Yadava dynasty near Ellora Caves (Maharashtra). Sarangadeva worked as an accountant with freedom to pursue his music interests in the court of King Singhana II (1210–1247). (en)
  • 沙楞伽提婆(印地語:शार्ङ्गदेव,羅馬化:Śārṅga-dēva;乌尔都语:شرنگدوفا‎‎;1175年-1247年),英語轉寫作Sharngadeva ,是印度最重要的音樂理論家。曾任宮廷樂師。他的論著有《》,共七卷,分述樂音、調式、曲體與作曲、歌唱法、節拍與節奏、樂器與器樂、舞蹈與表演,是印度婆羅多牟尼《》(即《》)以後印度第一部最重要的音樂論著。現今南印度音樂的調式體系仍以此書闡述的基本調式(相當於c d d f g a a c )為基礎。 (zh)
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