The Annunciation (ca. 1440–1445) is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos. This included the altarpiece, the inside of the monk's cells, the friar's cloister, the chapter house, and inside the corridors; around fifty pieces in total. All of the paintings were done by Angelico himself or under his direct supervision. Out of all of the frescos at the convent, the Annunciation is the most well known in the art world.
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| - Annunciation (Fra Angelico, San Marco) (en)
- Anunciación (Fray Angélico, Florencia) (es)
- L'Annonciation du couvent San Marco (fr)
- Annunciazione del corridoio Nord (it)
- 受胎告知 (フラ・アンジェリコ、サン・マルコ) (ja)
- Благовещение (Сан-Марко, Фра Анджелико) (ru)
- A Anunciação (Fra Angélico, Florença) (pt)
- 圣母领报图 (安杰利科修士, 圣马尔谷修道院) (zh)
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| - La Anunciación (en italiano, Annunciazione) es un fresco del pintor italiano Fra Angelico. Está realizado al fresco y fue pintado entre 1437 y 1446 en el convento de San Marcos de Florencia, actualmente convertido en Museo Nacional de San Marcos. Fra Angelico realizó las que se consideran como sus mejores pinturas al fresco en este convento florentino de San Marcos, entre 1437 y 1445. (es)
- L'Annonciation du couvent San Marco est une œuvre à fresque de Fra Angelico, visible au haut de l'escalier menant aux cellules des moines du couvent San Marco de Florence (pour cette raison certains ouvrages la nomment Annonciation du couloir nord, comme en italien : Annunciazione del corridoio Nord). (fr)
- 『受胎告知』（じゅたいこくち、伊:Annunciazione）は、1440–1445年ごろに、イタリアのルネサンス期の巨匠、フラ・アンジェリコが制作したフレスコ画であり、フィレンツェのサン・マルコ修道院 (現在、美術館)にある。コジモ・デ・メディチが修道院を再建したとき、コジモはフラ・アンジェリコに精緻なフレスコ画で壁面を装飾するように依頼した。これには、祭壇画、僧侶の独房の内部、修道士の回廊、参事会集会所、廊下の内部が含まれており、全部で約50点であった。すべての絵画はアンジェリコ自身で、または彼の直接の監督の下で描かれた。修道院のすべてのフレスコ画中、『受胎告知』は芸術の世界で最もよく知られている。 (ja)
- L'Annunciazione del corridoio Nord è un affresco di Beato Angelico nel convento di San Marco, situato al primo piano, proprio davanti alle scale. L'opera, che misura 230 × 321 cm, è di datazione incerta, che oscilla tra gli anni 1440 e il periodo dopo il ritorno dal soggiorno romano, dopo il 1450. Si tratta una delle opere più famose del maestro ed uno dei migliori esiti in assoluto su questo soggetto. (it)
- «Благовещение» (итал. Annunciazione, букв. «Благая весть» или «Благовещение») — фреска Фра Беато Анджелико в монастыре Сан-Марко, одна из многих работ художника на эту тему. Художник работал над фреской в 1450 году, после возвращения из Рима, а значит, на шесть лет позже создания остальных фресок монастыря. (ru)
- A Anunciação (em italiano, Annunciazione), é uma das anunciações realizadas pelo pintor italiano Fra Angélico. Foi criada utilizando a técnica afresco e pintada entre 1437 e 1446 para o Convento de São Marcos, em Florença, atualmente convertido em Museu Nacional de São Marcos. No convento florentino de São Marcos realizou suas melhores pinturas afresco entre 1438 e 1445. (pt)
- The Annunciation (ca. 1440–1445) is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos. This included the altarpiece, the inside of the monk's cells, the friar's cloister, the chapter house, and inside the corridors; around fifty pieces in total. All of the paintings were done by Angelico himself or under his direct supervision. Out of all of the frescos at the convent, the Annunciation is the most well known in the art world. (en)
- 圣母领报图（The Annunciation，1440–1445年）是一幅意大利早期文艺复兴壁画，由安杰利科修士绘制，位于意大利佛罗伦萨圣马尔谷修道院。科西莫·德·美第奇在重建修道院时，委托安杰利科修士用复杂的壁画装饰墙壁，包括祭坛画、修士的小间内部、回廊、会堂和走廊，总共约五十幅。所有的画作都是安吉里科本人或直接监督下绘制的。 在修道院的所有壁画中，圣母领报图是在艺术界最著名的壁画。 这幅“圣母领报图”不是安杰利科修士第一幅这一题材的绘画，也不是他在该修道院唯一的一幅画。他的作品分散在世界各地著名的博物馆和画廊，包括普拉多博物馆。他发明了一种新的构图，加俾額爾是在户外环境拜访圣母玛利亚。典型的哥特式的“圣母领报图”，总领天使加俾額爾都是在室内拜访坐在宝座上的圣母玛利亚，人物看起来扁平、静态，不真实。这幅画尤其被认为“达到了非凡优雅的高度”。它处理空间和照明的方式是革命性的， 因为它是从哥特时期到文艺复兴时期的过渡。以前的版本没有空间感。这些人物似乎漂浮在空中，线条并没有结束于消失点。这导致它们畸形而且不成比例。 (zh)
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| - Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
- Annunciation (Fra Angelico, San Marco)
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| - Fra Angelico, The Annunciation, ca. 1440–1445 (en)
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| - Fra Angelico, The Annunciation (en)
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| - Convent of San Marco, Florence, Italy (en)
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| - The Annunciation (ca. 1440–1445) is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos. This included the altarpiece, the inside of the monk's cells, the friar's cloister, the chapter house, and inside the corridors; around fifty pieces in total. All of the paintings were done by Angelico himself or under his direct supervision. Out of all of the frescos at the convent, the Annunciation is the most well known in the art world. The Annunciation is not Fra Angelico's first painting on that theme nor his only one in the convent. His works are scattered across the world in well-known museums and galleries including the Prado. He is credited as the inventor of this type of composition, where Gabriel visits Mary in an outdoor setting. A typical Gothic Annunciation painting contained the archangel Gabriel visiting the Virgin Mary indoors and with Mary enthroned. The figures would appear flat, static, and unrealistic. This painting in particular is supposed to have "achieved heights of singular elegance." The way it handles space and lighting is revolutionary because it is a transition out of the Gothic period and into the Renaissance. Previous versions had no spatial awareness. The figures seemed to float in the air, and lines did not end in a vanishing point. This caused them to be lopsided and disproportional. This particular version of the Annunciation is located at the top of the stairs on the first floor where the San Marco dormitories are located - on the north side. This is one of only three frescoes that Fra Angelico painted outside on the walls of the corridor instead of inside the cells. The staircase has undergone many renovations including modifications to the window which affects the amount of light entering the convent. This fresco was meant to be viewed under low light. When viewing the painting, there is an invisible light source that would have made additional light unnecessary to the monks viewing the painting. If visitors to the convent viewed the painting today, it would not look authentic. There are now lights illuminating it from many different angles. With its placement at the top of the stairs Fra Angelico sought to bring the scene into the convent and into the daily lives of the monks. A lighter painting at the time would have been used for decoration, while a darker one was meant for reflection and prayer. The frescos inside the cells at the convent of San Marco were done with reserve. "They were intended for contemplation and meditation and a reflection on poverty. Gold leaf and azurite were reserved for Cosimo de' Medici in his private cell and for the frescos in public spaces in the corridors." The gold leaf and azurite were extravagant materials and were a luxury only given to Cosimo because he was a wealthy patron. The friars were given paintings in their cells for the sole purpose of praying. Even with the gold and azurite, the Annunciation in the north dormitory would have still been relatively dull because of its location in a convent. In the Annunciation Gabriel is seen approaching Mary outdoors in the cloister. Overlooking the loggia, an open-sided room of a convent that faces the outside, it is supported by columns. Gabriel is seen clad in pink and gold with multi-coloured wings stooping down with his gaze fixed on Mary. He is seen with his arms bent at the elbow with his hands crossed over his chest gesturing to Mary. Mary is depicted as sweet and innocent, yet taken aback by Gabriel's arrival. Her innocence and virginity is represented by the Hortus Conclusus seen through the fence and the window in the background. Mary is seated facing him in her typical blue indicating her royal status and her purity. Her arms are folded in the same manner as Gabriel but this gesture shows her acceptance, humility, and submission. The cloister is surrounded by columns from the Composite order. They are all supporting Roman arches. Together they all work to frame Gabriel and Mary and highlight the focal point of the piece. The centre column in the foreground separates the painting into two spaces putting Gabriel and Mary at opposite ends, separating them but at the same time keeping them together. This fresco was not intended just for aesthetic purposes. Running across the loggia at the bottom of the fresco there is an inscription that instructs the viewer: "Virginis Intacte Cvm Veneris Ante Figvram Preterevndo Cave Ne Sileatvr Ave." It means when you come before the image of the Ever-Virgin take care that you do not neglect to say an Ave. This was a daily reminder for the monks to pray. (en)
- La Anunciación (en italiano, Annunciazione) es un fresco del pintor italiano Fra Angelico. Está realizado al fresco y fue pintado entre 1437 y 1446 en el convento de San Marcos de Florencia, actualmente convertido en Museo Nacional de San Marcos. Fra Angelico realizó las que se consideran como sus mejores pinturas al fresco en este convento florentino de San Marcos, entre 1437 y 1445. (es)
- L'Annonciation du couvent San Marco est une œuvre à fresque de Fra Angelico, visible au haut de l'escalier menant aux cellules des moines du couvent San Marco de Florence (pour cette raison certains ouvrages la nomment Annonciation du couloir nord, comme en italien : Annunciazione del corridoio Nord). (fr)
- 『受胎告知』（じゅたいこくち、伊:Annunciazione）は、1440–1445年ごろに、イタリアのルネサンス期の巨匠、フラ・アンジェリコが制作したフレスコ画であり、フィレンツェのサン・マルコ修道院 (現在、美術館)にある。コジモ・デ・メディチが修道院を再建したとき、コジモはフラ・アンジェリコに精緻なフレスコ画で壁面を装飾するように依頼した。これには、祭壇画、僧侶の独房の内部、修道士の回廊、参事会集会所、廊下の内部が含まれており、全部で約50点であった。すべての絵画はアンジェリコ自身で、または彼の直接の監督の下で描かれた。修道院のすべてのフレスコ画中、『受胎告知』は芸術の世界で最もよく知られている。 (ja)
- L'Annunciazione del corridoio Nord è un affresco di Beato Angelico nel convento di San Marco, situato al primo piano, proprio davanti alle scale. L'opera, che misura 230 × 321 cm, è di datazione incerta, che oscilla tra gli anni 1440 e il periodo dopo il ritorno dal soggiorno romano, dopo il 1450. Si tratta una delle opere più famose del maestro ed uno dei migliori esiti in assoluto su questo soggetto. (it)
- «Благовещение» (итал. Annunciazione, букв. «Благая весть» или «Благовещение») — фреска Фра Беато Анджелико в монастыре Сан-Марко, одна из многих работ художника на эту тему. Художник работал над фреской в 1450 году, после возвращения из Рима, а значит, на шесть лет позже создания остальных фресок монастыря. (ru)
- A Anunciação (em italiano, Annunciazione), é uma das anunciações realizadas pelo pintor italiano Fra Angélico. Foi criada utilizando a técnica afresco e pintada entre 1437 e 1446 para o Convento de São Marcos, em Florença, atualmente convertido em Museu Nacional de São Marcos. No convento florentino de São Marcos realizou suas melhores pinturas afresco entre 1438 e 1445. (pt)
- 圣母领报图（The Annunciation，1440–1445年）是一幅意大利早期文艺复兴壁画，由安杰利科修士绘制，位于意大利佛罗伦萨圣马尔谷修道院。科西莫·德·美第奇在重建修道院时，委托安杰利科修士用复杂的壁画装饰墙壁，包括祭坛画、修士的小间内部、回廊、会堂和走廊，总共约五十幅。所有的画作都是安吉里科本人或直接监督下绘制的。 在修道院的所有壁画中，圣母领报图是在艺术界最著名的壁画。 这幅“圣母领报图”不是安杰利科修士第一幅这一题材的绘画，也不是他在该修道院唯一的一幅画。他的作品分散在世界各地著名的博物馆和画廊，包括普拉多博物馆。他发明了一种新的构图，加俾額爾是在户外环境拜访圣母玛利亚。典型的哥特式的“圣母领报图”，总领天使加俾額爾都是在室内拜访坐在宝座上的圣母玛利亚，人物看起来扁平、静态，不真实。这幅画尤其被认为“达到了非凡优雅的高度”。它处理空间和照明的方式是革命性的， 因为它是从哥特时期到文艺复兴时期的过渡。以前的版本没有空间感。这些人物似乎漂浮在空中，线条并没有结束于消失点。这导致它们畸形而且不成比例。 这幅特别版本的圣母领报图位于圣马尔谷修道院二楼的楼梯顶部 - 在北侧。这是安杰利科修士仅有的三幅画在走廊的墙壁上，而不是在小间内的壁画之一。楼梯经历了多次翻新，包括修改影响采光的窗户。这幅壁画本来是在暗光下观赏的。在观看这幅画时，有一个不可见的光源，使得观看绘画的修士不需要额外的光线。如果今天游客到修道院看这幅画，它看起来就不真实了。现在有灯光从许多不同的角度照亮它。它位于楼梯的顶部，安杰利科修士试图将这场景带入修道院和僧侣的日常生活。当时，较浅的画会用于装饰，而较深的画则用于反省和祈祷。 (zh)
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