As pants the hart (HWV 251) is an anthem composed by George Frideric Handel for the Chapel Royal of Queen Anne and subsequently revised. There are five versions of the work (indicated by the letters a to e), the first being completed in 1713, and the final in 1738. HWV 251a was the first anthem Handel composed for the Chapel Royal. In Handel's day, all parts were sung by male voices—typically twelve boys and twelve men.
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| - As Pants the Hart (Händel) (ca)
- As Pants the Hart (Handel) (en)
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| - As pants the hart (HWV 251) és un anthem compost per Georg Friedrich Händel per la Chapel Royal de la Reina Anne i que posteriorment fou revisat. Hi ha cinc versions de l'obra (indicat per les lletres a, b, c, d, e); el primer fou compost el 1713, i el darrer el 1738. HWV 251a fou el primer anthem de Händel compost per a la Capella Reial (Chapel Royal). (ca)
- As pants the hart (HWV 251) is an anthem composed by George Frideric Handel for the Chapel Royal of Queen Anne and subsequently revised. There are five versions of the work (indicated by the letters a to e), the first being completed in 1713, and the final in 1738. HWV 251a was the first anthem Handel composed for the Chapel Royal. In Handel's day, all parts were sung by male voices—typically twelve boys and twelve men. (en)
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| - As pants the hart (HWV 251) és un anthem compost per Georg Friedrich Händel per la Chapel Royal de la Reina Anne i que posteriorment fou revisat. Hi ha cinc versions de l'obra (indicat per les lletres a, b, c, d, e); el primer fou compost el 1713, i el darrer el 1738. HWV 251a fou el primer anthem de Händel compost per a la Capella Reial (Chapel Royal). La versió de 1713 és un exemple primerenc de Händel per adaptar l'anglès, que era la seva tercera llengua. L'anthem agafa el títol de la primera línia, el íncipit, del Salm 42. La resta del text –el mateix per a les diferents versions– és del salm 42, i s'ha atribuït a John Arbuthnot. Arbuthnot, clarament, es basa en traduccions anteriors; l'inici coincideix amb la versió mètrica de Tate i Brady, però canvia en el segon vers a la versió del Prayer Book (Llibre de l'Oració). Händel rebia el favor reial des del 1713 i va rebre un encàrrec més important, l' Utrecht Te Deum i Jubilate per commemor la Pau de Utrecht. Poc després de la incorporació de l'anthem HWV 251a al repertori de la Capella Reial, la Reina Anne va atorgar a Händel una pensió de ₤200 cada any. Aquest patronatge reial continuà sota el hannoverians. El 1723 (poc després de la composició del HWV 251d), Händel va rebre una segona pensió com a "Composer to the Capella Reial" (Compositor de la Capella Real). Aquesta segona pensió va significar per a Händel uns ingressos anuals per part de la cort d'unes ₤600, ja que a més era el "Mestre de Música de les Princeses Reials". Aquesta era una suma considerable per l'època. (ca)
- As pants the hart (HWV 251) is an anthem composed by George Frideric Handel for the Chapel Royal of Queen Anne and subsequently revised. There are five versions of the work (indicated by the letters a to e), the first being completed in 1713, and the final in 1738. HWV 251a was the first anthem Handel composed for the Chapel Royal. The 1713 version is an early example of Handel setting words in English, which was his third language. The anthem takes its title from the first line, the incipit, of Psalm 42. The rest of the text – it is the same for all of Handel's versions of the anthem – is also taken from the psalm, and has been attributed to John Arbuthnot. Arbuthnot clearly based his work on earlier translations, as the text opens with lines from Tate and Brady’s metrical version, but reverts at verse two to the Prayer Book version. Handel met with royal favour in 1713 and received a major commission, the Utrecht Te Deum and Jubilate to commemorate the Peace of Utrecht. Soon after the introduction of HWV 251a to the Chapel Royal repertoire, Handel was awarded a pension from Queen Anne of £200 per annum. The royal patronage continued under the Hanoverians. In 1723 (soon after the composition of HWV 251d), Handel received a second pension, granted to him as "Composer to the Chapel Royal". This second pension brought Handel's total annual income from court pensions and his position as "Music Master to the Royal Princesses" to £600—a considerable sum for the time. In Handel's day, all parts were sung by male voices—typically twelve boys and twelve men. (en)
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