Cameo Records was an American record label that flourished in the 1920s. It was owned by the Cameo Record Corporation in New York City. Cameo released a disc by Lucille Hegamin every two months from 1921 to 1926. Cameo records are also noted for dance music. The catalogue also included the Original Memphis Five and the Varsity Eight. Musicians such as Red Nichols, Miff Mole, Adrian Rollini, and Frank Signorelli made trips to the Cameo studios. In 1926, Cameo started recording using a microphone-electrical process. An interesting blues number is 583, "Crazy Blues", by Salt & Pepper. Listen to the podcast at 26:46, where the disc is mentioned as an "early electric".
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| - Cameo Records (en)
- Cameo Records (de)
- Cameo Records (fr)
- Cameo Records (nl)
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| - Cameo Records war ein in den 1920er-Jahren erfolgreiches US-amerikanisches Plattenlabel. Es steht in keine Verbindung mit dem 1956 gegründetem Cameo-Label aus Philadelphia. (de)
- Cameo Records, plus couramment nommé Cameo, était un label discographique américain, dont la première distribution remonte aux années 1920. (fr)
- Cameo Records was een Amerikaans budget-platenlabel, dat zich richtte op dans- en jazz-platen. Het werd in 1922 opgericht in Manhattan, New York, waar ook het hoofdkwartier en de opnamestudio's waren. Het label was zeer succesvol met jazz- en dansplaten, dankzij de lage prijs van 50 dollarcent per plaat. Het label bezat ook enkele sub-labels, waaronder , en een label voor kinderen, . Cameo werd in 1928 overgenomen door , die tot 1930 platen onder 'Cameo' uitbracht. Enkele namen van door Cameo uitgegeven artiesten: , , blueszangeres Lucille Hegamin, en . Daarnaast werkten veel 'echte' jazz-musici aan opnamen mee, zoals Red Nichols, Miff Mole, Adrian Rollini en Frank Signorelli. (nl)
- Cameo Records was an American record label that flourished in the 1920s. It was owned by the Cameo Record Corporation in New York City. Cameo released a disc by Lucille Hegamin every two months from 1921 to 1926. Cameo records are also noted for dance music. The catalogue also included the Original Memphis Five and the Varsity Eight. Musicians such as Red Nichols, Miff Mole, Adrian Rollini, and Frank Signorelli made trips to the Cameo studios. In 1926, Cameo started recording using a microphone-electrical process. An interesting blues number is 583, "Crazy Blues", by Salt & Pepper. Listen to the podcast at 26:46, where the disc is mentioned as an "early electric". (en)
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| - Cameo Record Corporation (en)
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| - Cameo Records war ein in den 1920er-Jahren erfolgreiches US-amerikanisches Plattenlabel. Es steht in keine Verbindung mit dem 1956 gegründetem Cameo-Label aus Philadelphia. (de)
- Cameo Records was an American record label that flourished in the 1920s. It was owned by the Cameo Record Corporation in New York City. Cameo released a disc by Lucille Hegamin every two months from 1921 to 1926. Cameo records are also noted for dance music. The catalogue also included the Original Memphis Five and the Varsity Eight. Musicians such as Red Nichols, Miff Mole, Adrian Rollini, and Frank Signorelli made trips to the Cameo studios. In 1926, Cameo started recording using a microphone-electrical process. An interesting blues number is 583, "Crazy Blues", by Salt & Pepper. Listen to the podcast at 26:46, where the disc is mentioned as an "early electric". The Cameo Record Corporation started Lincoln Records (1924) and Romeo Records (1926). In 1928 it merged with Pathé Records, and then the American Record Corporation. The resulting company stopped using the Cameo name in the 1930s. This label is not affiliated with Cameo-Parkway Records which was active in the 1950s and 1960s. (en)
- Cameo Records, plus couramment nommé Cameo, était un label discographique américain, dont la première distribution remonte aux années 1920. (fr)
- Cameo Records was een Amerikaans budget-platenlabel, dat zich richtte op dans- en jazz-platen. Het werd in 1922 opgericht in Manhattan, New York, waar ook het hoofdkwartier en de opnamestudio's waren. Het label was zeer succesvol met jazz- en dansplaten, dankzij de lage prijs van 50 dollarcent per plaat. Het label bezat ook enkele sub-labels, waaronder , en een label voor kinderen, . Cameo werd in 1928 overgenomen door , die tot 1930 platen onder 'Cameo' uitbracht. Enkele namen van door Cameo uitgegeven artiesten: , , blueszangeres Lucille Hegamin, en . Daarnaast werkten veel 'echte' jazz-musici aan opnamen mee, zoals Red Nichols, Miff Mole, Adrian Rollini en Frank Signorelli. (nl)
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