"El Son de la Negra" is a Mexican folk song, originally from Tepic, Nayarit, best known from an adaptation by Jaliscian musical composer Blas Galindo in 1940 for his suite Sones de mariachi. It is commonly referred to as the "second national anthem of Mexico." The masterpiece was presented for the first time in the city of New York, but Jesús Jáuregui, a Mexican ethnologist, claims that throughout its history the song has undergone modifications and arrangements that can hardly be attributed to a single author or epoque. The song has become representative of Mexican folk or relative to Mexico worldwide. Jáureguis's more than two decades of research were presented on 15 July 2010 at a conference held in the state of Nayarit under the patronage of the state's Consejo Nacional para la Cultura
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| - El Son de la Negra (en)
- El son de la negra (es)
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| - "El Son de la Negra" is a Mexican folk song, originally from Tepic, Nayarit, best known from an adaptation by Jaliscian musical composer Blas Galindo in 1940 for his suite Sones de mariachi. It is commonly referred to as the "second national anthem of Mexico." The masterpiece was presented for the first time in the city of New York, but Jesús Jáuregui, a Mexican ethnologist, claims that throughout its history the song has undergone modifications and arrangements that can hardly be attributed to a single author or epoque. The song has become representative of Mexican folk or relative to Mexico worldwide. Jáureguis's more than two decades of research were presented on 15 July 2010 at a conference held in the state of Nayarit under the patronage of the state's Consejo Nacional para la Cultura (en)
- El son de la negra es un son tradicional del sur de Jalisco, México, famoso por sus distintas versiones, en particular la de mariachi. Fue popularizado en el mundo luego de que el compositor jalisciense Blas Galindo, en 1940, lo incluyera en su obra para orquesta de cámara Sones de mariachi. La pieza fue presentada por primera vez en el Programa de Música Mexicana del Museo de Arte Moderno de Nueva York, aunque, según el etnólogo Jesús Jáuregui, durante su historia se le han realizado modificaciones y arreglos que difícilmente la atribuyen a un solo autor o época. Asimismo, ha llegado a convertirse en representativa del folclore mexicano o relativa a México a nivel internacional. De hecho, es tradicional que la entrada de un mariachi a una casa, fiesta o evento se haga caminando e in (es)
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| - "El Son de la Negra" is a Mexican folk song, originally from Tepic, Nayarit, best known from an adaptation by Jaliscian musical composer Blas Galindo in 1940 for his suite Sones de mariachi. It is commonly referred to as the "second national anthem of Mexico." The masterpiece was presented for the first time in the city of New York, but Jesús Jáuregui, a Mexican ethnologist, claims that throughout its history the song has undergone modifications and arrangements that can hardly be attributed to a single author or epoque. The song has become representative of Mexican folk or relative to Mexico worldwide. Jáureguis's more than two decades of research were presented on 15 July 2010 at a conference held in the state of Nayarit under the patronage of the state's Consejo Nacional para la Cultura y las Artes. Among the specific topics discussed were the origin and authorship of the tune, its first recordings, excerpts from Galindo's memoirs, and photographs of older scores and lyrics. (en)
- El son de la negra es un son tradicional del sur de Jalisco, México, famoso por sus distintas versiones, en particular la de mariachi. Fue popularizado en el mundo luego de que el compositor jalisciense Blas Galindo, en 1940, lo incluyera en su obra para orquesta de cámara Sones de mariachi. La pieza fue presentada por primera vez en el Programa de Música Mexicana del Museo de Arte Moderno de Nueva York, aunque, según el etnólogo Jesús Jáuregui, durante su historia se le han realizado modificaciones y arreglos que difícilmente la atribuyen a un solo autor o época. Asimismo, ha llegado a convertirse en representativa del folclore mexicano o relativa a México a nivel internacional. De hecho, es tradicional que la entrada de un mariachi a una casa, fiesta o evento se haga caminando e interpretando El son de la negra. Se ha supuesto que el inicio de la canción imite a una locomotora, ya que una de sus estrofas, la que dice hojas de papel volando, es una metáfora que hace referencia a las banderas que casi todas las locomotoras de la época solían llevar en el frente y que, a medida que avanzaban, ondeaban con el viento. (es)
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