Ghana Freedom was a Ghanaian art exhibition at the 2019 Venice Biennale, an international contemporary art biennial in which countries represent themselves through self-organizing national pavilions. The country's debut pavilion, also known as the Ghana pavilion, was highly anticipated and named a highlight of the overall Biennale by multiple journalists. The six participating artists—Felicia Abban, John Akomfrah, El Anatsui, Selasi Awusi Sosu, Ibrahim Mahama, and Lynette Yiadom-Boakye—represented a range of artist age, gender, locations, and prestige, selected by curator Nana Oforiatta Ayim. The show paired young and old artists across sculpture, filmmaking, and portraiture, and emphasized common threads across postcolonial Ghanaian culture in both its current inhabitants and the diaspora
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| - Ghana Freedom was a Ghanaian art exhibition at the 2019 Venice Biennale, an international contemporary art biennial in which countries represent themselves through self-organizing national pavilions. The country's debut pavilion, also known as the Ghana pavilion, was highly anticipated and named a highlight of the overall Biennale by multiple journalists. The six participating artists—Felicia Abban, John Akomfrah, El Anatsui, Selasi Awusi Sosu, Ibrahim Mahama, and Lynette Yiadom-Boakye—represented a range of artist age, gender, locations, and prestige, selected by curator Nana Oforiatta Ayim. The show paired young and old artists across sculpture, filmmaking, and portraiture, and emphasized common threads across postcolonial Ghanaian culture in both its current inhabitants and the diaspora (en)
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| - Ghana Freedom was a Ghanaian art exhibition at the 2019 Venice Biennale, an international contemporary art biennial in which countries represent themselves through self-organizing national pavilions. The country's debut pavilion, also known as the Ghana pavilion, was highly anticipated and named a highlight of the overall Biennale by multiple journalists. The six participating artists—Felicia Abban, John Akomfrah, El Anatsui, Selasi Awusi Sosu, Ibrahim Mahama, and Lynette Yiadom-Boakye—represented a range of artist age, gender, locations, and prestige, selected by curator Nana Oforiatta Ayim. The show paired young and old artists across sculpture, filmmaking, and portraiture, and emphasized common threads across postcolonial Ghanaian culture in both its current inhabitants and the diaspora. Almost all of the art was commissioned specifically for the pavilion. Architect David Adjaye designed the pavilion with rusty red walls of imported soil to reflect the cylindrical, earthen dwellings of the Gurunsi within the Biennale's Arsenale exhibition space. The project was supported by the Ghana Ministry of Tourism and advised by former Biennale curator Okwui Enwezor. After the show's run, May–November 2019, works from the exhibition were set to display in Accra, Ghana's capital. (en)
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