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| - Jiuchi (地打ち), communément appelé ji, est le rythme sous-jacent de la musique traditionnelle, au Japon. Dans certaines régions, on parle de « petite frappe », de « petite pierre (abeille) », « petit bye ». Ce tempo est fondamental dans les rythmes martelés par les tambours kakko, notamment le shime-daiko, utilisés dans des ensembles de taiko. Jiuchi est repris dans divers ensembles de musique japonaise du nagauta, de hayashi, et du taiko. Une place lui est également accordée dans la musique folklorique et dans les ensembles de min'yō. Le kakko est un instrument dérivé du jiegu chinois, un tambour qui fut populaire en Chine durant la dynastie Tang, tout comme le galgo coréen. (fr)
- 地打ち（じうち）とは、和太鼓奏法の一般用語で「裏打ち」、地域によっては「小打ち」「小桴（バチ）」「小バイ」などとも言われている。 (ja)
- Jiuchi (地打ち), commonly referred to as "ji," is the base beat or underlying rhythm in traditional Japanese music. In the folk tradition, it consists of a simple, even rhythm, sung using kuchi shoka as "do ko do ko." This is often called "straight ji" in English to differentiate from other ji patterns.
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| has abstract
| - Jiuchi (地打ち), commonly referred to as "ji," is the base beat or underlying rhythm in traditional Japanese music. In the folk tradition, it consists of a simple, even rhythm, sung using kuchi shoka as "do ko do ko." This is often called "straight ji" in English to differentiate from other ji patterns. A common variation is to "swing" the ji, called the "dongo" pattern after the kuchi shoka (sung as "don go don go"). When playing dongo, the upbeat (the "go") is not evenly spaced between the downbeats, but is instead played toward the "back of the beat," a common practice in jazz music. Generally the first note of each pair is twice as long as the second, giving the pattern a triplet feel. In English, the dongo pattern is often simply called the swing ji because of the history of the swing rhythm in North American jazz. Other common types of ji include the horse-beat ji ("don dogo don dogo"; in Western drum notation:"1.&12.&a3.&a4.&a") and the matsuri, or festival, ji ("DON doko don DON, DON doko don DON"). The ji is usually played throughout a song to hold the other instruments together rhythmically. For this reason, the ji is prevalent when playing taiko, which is a Japanese art form in which the drums are the central instrument. When playing taiko, the ji is often simple and loud, played most often on a smaller rope-tied drum (the "shime-daiko") which is high-pitched and has a sharp attack, making it easily audible over the rumble of the larger taikos. It can by played on almost any instrument, however. For example, it is commonly played on the largest drum (the "ōdaiko"), either as backing for the other instruments, or to aid a soloist playing on the other head of the drum.
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* e (en)
- Jiuchi (地打ち), communément appelé ji, est le rythme sous-jacent de la musique traditionnelle, au Japon. Dans certaines régions, on parle de « petite frappe », de « petite pierre (abeille) », « petit bye ». Ce tempo est fondamental dans les rythmes martelés par les tambours kakko, notamment le shime-daiko, utilisés dans des ensembles de taiko. Jiuchi est repris dans divers ensembles de musique japonaise du nagauta, de hayashi, et du taiko. Une place lui est également accordée dans la musique folklorique et dans les ensembles de min'yō. Le kakko est un instrument dérivé du jiegu chinois, un tambour qui fut populaire en Chine durant la dynastie Tang, tout comme le galgo coréen. (fr)
- 地打ち（じうち）とは、和太鼓奏法の一般用語で「裏打ち」、地域によっては「小打ち」「小桴（バチ）」「小バイ」などとも言われている。 (ja)
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