The Master of the 1540s was a South Netherlandish painter active between 1541 and 1551. About thirty portraits dating to that decade have been ascribed to them; the identity of one of the sitters, Gillis van Shoonbeke (guardian of the hospital in Antwerp), indicates that the artist wasactive in that city. Their clientele appears to have been more modest than that patronized by Antonis Mor and Willem Key, but their paintings display considerable talent and cultivation.
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| - Meister von 1540 (de)
- Master of the 1540s (en)
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| - Als Meister von 1540 oder Meister der vierziger Jahre (englisch Master of 1540s) wird ein niederländischer Porträtmaler des 16. Jahrhunderts bezeichnet. Er schuf eine größere Zahl von Darstellungen wohlhabender Bürger, in denen sich wachsendes Selbstbewusstsein, politische Unabhängigkeit und steigender Wohlstand von weltlichen Stadtbewohnern am Ausgang des Spätmittelalters und Übergang zur Neuzeit erkennen lassen. (de)
- The Master of the 1540s was a South Netherlandish painter active between 1541 and 1551. About thirty portraits dating to that decade have been ascribed to them; the identity of one of the sitters, Gillis van Shoonbeke (guardian of the hospital in Antwerp), indicates that the artist wasactive in that city. Their clientele appears to have been more modest than that patronized by Antonis Mor and Willem Key, but their paintings display considerable talent and cultivation. (en)
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| - Als Meister von 1540 oder Meister der vierziger Jahre (englisch Master of 1540s) wird ein niederländischer Porträtmaler des 16. Jahrhunderts bezeichnet. Er schuf eine größere Zahl von Darstellungen wohlhabender Bürger, in denen sich wachsendes Selbstbewusstsein, politische Unabhängigkeit und steigender Wohlstand von weltlichen Stadtbewohnern am Ausgang des Spätmittelalters und Übergang zur Neuzeit erkennen lassen. (de)
- The Master of the 1540s was a South Netherlandish painter active between 1541 and 1551. About thirty portraits dating to that decade have been ascribed to them; the identity of one of the sitters, Gillis van Shoonbeke (guardian of the hospital in Antwerp), indicates that the artist wasactive in that city. Their clientele appears to have been more modest than that patronized by Antonis Mor and Willem Key, but their paintings display considerable talent and cultivation. (en)
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