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Nick Carbó (born 1964) is a Filipino-American writer from Legazpi, Albay, Philippines. Carbó writes poetry, essays, and edits magazines and anthologies. He is primarily known for his book of poetry titled Secret Asian Man (2000) Tia Chucha Press which won the Asian American Writers Workshop's Readers Choice Award. He also won the 2005 Calatagan Award from the Philippine American Writers & Artists for his book Andalusian Dawn (2004) Cherry Grove Collections. His most noted award is the 1999 Gregory Millard/New York City Department of Cultural Affairs New York Foundation for the Arts Fellowship.

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  • Nick Carbó (en)
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  • Nick Carbó (born 1964) is a Filipino-American writer from Legazpi, Albay, Philippines. Carbó writes poetry, essays, and edits magazines and anthologies. He is primarily known for his book of poetry titled Secret Asian Man (2000) Tia Chucha Press which won the Asian American Writers Workshop's Readers Choice Award. He also won the 2005 Calatagan Award from the Philippine American Writers & Artists for his book Andalusian Dawn (2004) Cherry Grove Collections. His most noted award is the 1999 Gregory Millard/New York City Department of Cultural Affairs New York Foundation for the Arts Fellowship. (en)
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  • Nick Carbó (en)
name
  • Nick Carbó (en)
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  • Legazpi, Albay, Philippines (en)
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  • Poet, professor (en)
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  • Margarita Elizalde Carbó (en)
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  • Nick Carbó (born 1964) is a Filipino-American writer from Legazpi, Albay, Philippines. Carbó writes poetry, essays, and edits magazines and anthologies. He is primarily known for his book of poetry titled Secret Asian Man (2000) Tia Chucha Press which won the Asian American Writers Workshop's Readers Choice Award. He also won the 2005 Calatagan Award from the Philippine American Writers & Artists for his book Andalusian Dawn (2004) Cherry Grove Collections. His most noted award is the 1999 Gregory Millard/New York City Department of Cultural Affairs New York Foundation for the Arts Fellowship. Carbó spent most of his early career developing contemporary Filipino-American literature as a genre and he is credited by scholars such as Elisabetta Marino as playing an instrumental role in its modern conception. Through his anthologies Returning a Borrowed Tongue, Babaylan, and Pinoy Poetics, he consolidates both Filipino and Filipino-American experiences. (en)
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