Rhapsody No. 1, Sz. 86, 87, and 88, BB 94 is the first of two virtuoso works for violin and piano, written by Béla Bartók in 1928 and subsequently arranged in 1929 for violin and orchestra, as well as for cello and piano. It is dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartók, who gave the first performance of the orchestra version in Königsberg on 1 November 1929, with Hermann Scherchen conducting the orchestra.
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| - ラプソディ第1番 (バルトーク) (ja)
- Rhapsody No. 1 (Bartók) (en)
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| - ラプソディ第1番 Sz. 86、87及び88、94は、バルトーク・ベーラがはじめ1928年にヴァイオリンとピアノのために作曲したヴィルトゥオーゾ作品であり、その後1929年に作曲者自身によりヴァイオリンと管弦楽のため、またチェロとピアノのために編曲された楽曲。曲はハンガリーのヴァイオリニストでバルトークの近しい友人であったヨーゼフ・シゲティに献呈されている。シゲティは1929年11月1日、ケーニヒスベルクにてヘルマン・シェルヘンの指揮により本作の管弦楽版を初演している。 (ja)
- Rhapsody No. 1, Sz. 86, 87, and 88, BB 94 is the first of two virtuoso works for violin and piano, written by Béla Bartók in 1928 and subsequently arranged in 1929 for violin and orchestra, as well as for cello and piano. It is dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartók, who gave the first performance of the orchestra version in Königsberg on 1 November 1929, with Hermann Scherchen conducting the orchestra. (en)
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- Losseff, Nicky. 2001. "The Piano Concertos and Sonata for Two Pianos and Percussion". In The Cambridge Companion to Bartók, edited by Amanda Bayley, 118–32. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ; . (en)
- Kenneson, Claude. 1994. Székely and Bartók: The Story of a Friendship. Portland, OR: Amadeus Press. . (en)
- Laki, Peter. 2001. "Works for Solo Violin and the Viola Concerto". In The Cambridge Companion to Bartók, edited by Amanda Bayley, 133–50. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ; . (en)
- Walsh, Fiona. 2005. "Variant Endings for Bartók's Two Violin Rhapsodies ". Music & Letters 86, no. 2:234–56. (en)
- Lampert, Vera. 1981. "Quellenkatalog der Volksliedbearbeitungen von Bartók. Ungarische, slowakische, rumänische, ruthenische, serbische und arabische Volkslieder und Tänze". In Documenta Bartókiana 6, edited by Lászlo Somfai, 15–149. Mainz: B. Schott's Söhne. . (en)
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| - Rhapsody No. 1, Sz. 86, 87, and 88, BB 94 is the first of two virtuoso works for violin and piano, written by Béla Bartók in 1928 and subsequently arranged in 1929 for violin and orchestra, as well as for cello and piano. It is dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartók, who gave the first performance of the orchestra version in Königsberg on 1 November 1929, with Hermann Scherchen conducting the orchestra. Bartók evidently composed both rhapsodies purely as a personal gesture, rather than on commission, and did so without telling anyone until they were both completed. According to the violinist Zoltán Székely, he and the composer met one day in 1928 and, after chatting for a time, Bartók suddenly announced that he had a surprise for him, and produced the manuscripts of the two rhapsodies, which no one else had previously seen. "One is for you; one is for Szigeti," Bartók told him. "You may choose which one you like for the dedication." Székely chose the Second Rhapsody, but quickly added, "that doesn't mean that the First Rhapsody was already dedicated to Szigeti!". Both rhapsodies exemplify a mode of composition using peasant-music sources, described by Bartók as taking an existing melody and adding an accompaniment together with some introductory or ending material, in such a way that the newly composed matter is strictly secondary—never competing with the folk material for prominence. This was acknowledged in the scores of the early editions, which bore the subtitle "Folk Dances". Bartók's objective was to transplant the entire style of Eastern-European fiddle playing into the Western concert context. In order to further this project, he insisted that Szigeti listen to the original field recordings from which the melodies were transcribed. The Rhapsody uses the same slow–fast (lassú—friss) paired movements of the popular Hungarian verbunkos (recruiting dance) found in the earlier Rhapsody for Piano of 1904, and to which he would later return in the first movement of Contrasts in 1938. Bartók specified that each of the movements can be performed separately—not only the fast second movement but also the more serious slow opening movement of each rhapsody. (en)
- ラプソディ第1番 Sz. 86、87及び88、94は、バルトーク・ベーラがはじめ1928年にヴァイオリンとピアノのために作曲したヴィルトゥオーゾ作品であり、その後1929年に作曲者自身によりヴァイオリンと管弦楽のため、またチェロとピアノのために編曲された楽曲。曲はハンガリーのヴァイオリニストでバルトークの近しい友人であったヨーゼフ・シゲティに献呈されている。シゲティは1929年11月1日、ケーニヒスベルクにてヘルマン・シェルヘンの指揮により本作の管弦楽版を初演している。 (ja)
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