The Suite, Op. 14, Sz. 62, BB 70 is a piece for solo piano written by Béla Bartók. It was written in February 1916, published in 1918, and debuted by the composer on April 21, 1919, in Budapest. The Suite is one of Bartók's most significant works for piano, only comparable with his 1926 Piano Sonata. Though much of Bartók's work makes frequent use of Eastern European folk music, this suite is one of the few pieces without melodies of folk origin.(Incorrect: The majority of Bartok’s major works do not use actual folk melodies)However, Romanian, Arabic, and North African rhythmic influences can still be found in some movements. Originally intending the suite to be a five-movement work, Bartók later decided against the idea and discarded the second movement, the Andante, which was published o
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| - 組曲作品14 (バルトーク) (ja)
- Suite, Op. 14 (Bartók) (en)
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| - 組曲 作品14 Sz.62 70は、バルトーク・ベーラが作曲したピアノのための組曲。 (ja)
- The Suite, Op. 14, Sz. 62, BB 70 is a piece for solo piano written by Béla Bartók. It was written in February 1916, published in 1918, and debuted by the composer on April 21, 1919, in Budapest. The Suite is one of Bartók's most significant works for piano, only comparable with his 1926 Piano Sonata. Though much of Bartók's work makes frequent use of Eastern European folk music, this suite is one of the few pieces without melodies of folk origin.(Incorrect: The majority of Bartok’s major works do not use actual folk melodies)However, Romanian, Arabic, and North African rhythmic influences can still be found in some movements. Originally intending the suite to be a five-movement work, Bartók later decided against the idea and discarded the second movement, the Andante, which was published o (en)
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| - Suite for Piano, Op.14 (en)
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| - The Suite, Op. 14, Sz. 62, BB 70 is a piece for solo piano written by Béla Bartók. It was written in February 1916, published in 1918, and debuted by the composer on April 21, 1919, in Budapest. The Suite is one of Bartók's most significant works for piano, only comparable with his 1926 Piano Sonata. Though much of Bartók's work makes frequent use of Eastern European folk music, this suite is one of the few pieces without melodies of folk origin.(Incorrect: The majority of Bartok’s major works do not use actual folk melodies)However, Romanian, Arabic, and North African rhythmic influences can still be found in some movements. Originally intending the suite to be a five-movement work, Bartók later decided against the idea and discarded the second movement, the Andante, which was published only posthumously in the October 1955 issue of Új Zenei Szemle (New Musical Review). The 1918 version, without the Andante, takes between 8 and 9 minutes to perform and is played in four movements: 1.
* Allegretto (duration specified by Bartók: c. 2 min) 2.
* Scherzo (c. 1 min 50 s) 3.
* Allegro molto (c. 2 min 5 s) 4.
* Sostenuto (c. 2 min 35 s) (en)
- 組曲 作品14 Sz.62 70は、バルトーク・ベーラが作曲したピアノのための組曲。 (ja)
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