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The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous Grande Messe des Morts, it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music." While the orchestral forces required for the Te Deum are not as titanic as those of the Requiem, the work calls for an organ that can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz changed the word order for dramatic purposes.

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rdf:type
rdfs:label
  • Te Deum (Berlioz) (ca)
  • Te Deum (Berlioz) (de)
  • Te Deum (Berlioz) (fr)
  • テ・デウム (ベルリオーズ) (ja)
  • Te Deum (Berlioz) (en)
rdfs:comment
  • El Te Deum (op. 22 / H.118) d'Hector Berlioz es va completar el 1849. Igual que l'anterior i més famosa Gran Messe des Morts, és un dels treballs que Berlioz va referir a les seves Memòries com "les enormes composicions que alguns crítics han anomenat música arquitectònica o monumental". Mentre que les forces orquestrals necessàries per al Te Deum no són tan titàniques com les del Requiem, el treball demana un orgue que pugui competir en igualtat de condicions amb la resta de l'orquestra. Té una durada aproximada de cinquanta minuts i obté el text del tradicional Te Deum llatí, encara que Berlioz va canviar l'ordre de les paraules per a fins dramàtics. (ca)
  • Das Te Deum op. 22 des französischen Komponisten Hector Berlioz entstand 1848 und wurde ursprünglich anlässlich der Thronbesteigung Napoléon III. komponiert. Die Uraufführung mit 900 Mitwirkenden fand 1855 in der Kirche St-Eustache zur Eröffnung der Pariser Weltausstellung statt. (de)
  • The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous Grande Messe des Morts, it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music." While the orchestral forces required for the Te Deum are not as titanic as those of the Requiem, the work calls for an organ that can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz changed the word order for dramatic purposes. (en)
  • Le Te Deum, op. 22 / H 118, composé en 1849, est l'une des œuvres les plus monumentales d'Hector Berlioz. S'il nécessite un orchestre moins important que la Grande messe des morts, le recours à l'orgue compense cette relative diminution du nombre des instrumentistes. L'œuvre dure environ cinquante minutes et utilise le texte latin du Te Deum, auquel Berlioz a apporté quelques changements pour obtenir plus d'effets dramatiques. La partition est dédiée au prince Albert de Saxe-Cobourg-Gotha, l'époux de la reine Victoria. La première audition a eu lieu le 30 avril 1855 à l'église Saint-Eustache, à Paris, sous la direction du compositeur. (fr)
  • テ・デウム(Te Deum)作品22は、エクトル・ベルリオーズの代表作の一つ。ベルリオーズが作曲した宗教音楽のうちでも『レクイエム』に次いで有名である。広い意味での宗教的大作である『葬送と勝利の大交響曲』を含めたこれら3作は、いずれも破格の規模・楽器編成を備えている。『レクイエム』は4つのバンダと大規模な打楽器群、『葬送と勝利の大交響曲』は吹奏楽編成(合唱と弦楽も任意で付加)、そして『テ・デウム』はオルガンの使用と児童合唱が特徴となっており、いずれも音響空間を意識した建築的な音楽構成となっている。 (ja)
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