About: The Last Angel of History     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatDocumentaryFilmsAboutAfricanAmericans, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/c/ABVVH6dtZG

The Last Angel of History is a 45-minute documentary, directed in 1996 by John Akomfrah and written and researched by Edward George of the Black Audio Film Collective, that deals with concepts of Afrofuturism as a metaphor for the displacement of black culture and roots. The film is a hybrid documentary and fictional narrative. Documentary segments include traditional talking-head clips from musicians, writers, and social critics, as well as archival video footage and photographs. Described as "A truly masterful film essay about Black aesthetics that traces the deployments of science fiction within pan-African culture", it has also been called "one of the most influential video-essays of the 1990s, influencing filmmakers and inspiring conferences, novels and exhibitions".

AttributesValues
rdf:type
rdfs:label
  • The Last Angel of History (en)
rdfs:comment
  • The Last Angel of History is a 45-minute documentary, directed in 1996 by John Akomfrah and written and researched by Edward George of the Black Audio Film Collective, that deals with concepts of Afrofuturism as a metaphor for the displacement of black culture and roots. The film is a hybrid documentary and fictional narrative. Documentary segments include traditional talking-head clips from musicians, writers, and social critics, as well as archival video footage and photographs. Described as "A truly masterful film essay about Black aesthetics that traces the deployments of science fiction within pan-African culture", it has also been called "one of the most influential video-essays of the 1990s, influencing filmmakers and inspiring conferences, novels and exhibitions". (en)
foaf:name
  • The Last Angel of History (en)
name
  • The Last Angel of History (en)
dct:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Link from a Wikipage to an external page
sameAs
dbp:wikiPageUsesTemplate
director
  • John Akomfrah (en)
language
  • Afrikaan English (en)
writer
  • Edward George (en)
has abstract
  • The Last Angel of History is a 45-minute documentary, directed in 1996 by John Akomfrah and written and researched by Edward George of the Black Audio Film Collective, that deals with concepts of Afrofuturism as a metaphor for the displacement of black culture and roots. The film is a hybrid documentary and fictional narrative. Documentary segments include traditional talking-head clips from musicians, writers, and social critics, as well as archival video footage and photographs. Described as "A truly masterful film essay about Black aesthetics that traces the deployments of science fiction within pan-African culture", it has also been called "one of the most influential video-essays of the 1990s, influencing filmmakers and inspiring conferences, novels and exhibitions". The fictional story follows the journey of the "Data Thief," played by the film's researcher Edward George, who must travel across time and space in search of a crossroads where he makes archaeological digs for fragments of history and technology in search of the code that holds the key to his future. The structure of the film makes it a meta-narrative commenting on while also becoming part of the genre of Afrofuturism. The film uses concepts based on George Clinton's Mothership Connection and features interviews with Clinton, Derrick May, Samuel R. Delany, Octavia E. Butler, Nichelle Nichols, Juan Atkins, DJ Spooky, Goldie, Ishmael Reed, Greg Tate, Bernard Harris, Kodwo Eshun, Carl Craig, and A Guy Called Gerald to explore the link between black music as a way of exploring the future. The film makes mention of Sun Ra, whose work centres on the return of blacks to outer space in his own Mothership. The Last Angel of History emphasizes black musical traditions. The film argues that the drum, which could "communicate both across the African diaspora and across time," was the "first Afrofuturistic technology." In "Further Considerations on Afrofuturism," Eshun says of the film: "The Last Angel of History remains the most elaborate exposition on the convergence of ideas that is Afrofuturism. Through the persona of a time-traveling nomadic figure known as the Data Thief, The Last Angel of History created a network of links between music, space, futurology, and diaspora." The film forges links between, for example, spirituals, P-Funk, and techno. (en)
gold:hypernym
prov:wasDerivedFrom
page length (characters) of wiki page
film director
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
is Wikipage redirect of
is foaf:primaryTopic of
Faceted Search & Find service v1.17_git147 as of Sep 06 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3331 as of Sep 2 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 63 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software