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Tribute to the Eucharist was a painting made of egg tempera and gold leaf on a wood panel. The portable icon is attributed to Greek painter Michael Damaskinos. Damaskino's existing catalog features over 100 known works. He was a member of the Cretan school of painting. He was from the island of Crete. His contemporaries were Georgios Klontzas and El Greco. Damaskinos traveled all over Italy for over twenty years. He spent a significant amount of time in Venice. He adopted Italian mannerisms. He applied these new attributes to his paintings. He was friends with sculptor Alessandro Vittoria. He had a collection of drawings obtained from other Italian artists. Namely the Mannerist Parmigianino. He was also exposed to the magnificent works of Italian painter Raphael.

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  • Tribute to the Eucharist (Damaskinos) (en)
rdfs:comment
  • Tribute to the Eucharist was a painting made of egg tempera and gold leaf on a wood panel. The portable icon is attributed to Greek painter Michael Damaskinos. Damaskino's existing catalog features over 100 known works. He was a member of the Cretan school of painting. He was from the island of Crete. His contemporaries were Georgios Klontzas and El Greco. Damaskinos traveled all over Italy for over twenty years. He spent a significant amount of time in Venice. He adopted Italian mannerisms. He applied these new attributes to his paintings. He was friends with sculptor Alessandro Vittoria. He had a collection of drawings obtained from other Italian artists. Namely the Mannerist Parmigianino. He was also exposed to the magnificent works of Italian painter Raphael. (en)
foaf:name
  • Tribute to the Eucharist (en)
foaf:homepage
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Allegory_of_the_Holy_Communion.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Allegory_of_the_Holy_Communion_(Karantinos).png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Allegory_of_the_Holy_Communion_Michael_Damaskinos.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/Ph_Ernst_(0,1).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Tribute_to_the_Eucharist_Michael_Damaskinos.png
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height metric
other language
  • Greek (en)
  • Italian (en)
other title
  • Aλληγορία Θείας Μετάληψης (en)
  • Omaggio alla Eucaristia (en)
width metric
artist
city
  • Athens, Greece (en)
height imperial
imperial unit
  • in (en)
medium
  • tempera on wood (en)
metric unit
  • cm (en)
museum
  • Byzantine and Christian Museum (en)
owner
  • Byzantine and Christian Museum (en)
subject
  • The allegory of the holy communion featuring four symbols of the evangelists. (en)
title
  • Tribute to the Eucharist (en)
website
width imperial
year
  • c. 1550–1593 (en)
has abstract
  • Tribute to the Eucharist was a painting made of egg tempera and gold leaf on a wood panel. The portable icon is attributed to Greek painter Michael Damaskinos. Damaskino's existing catalog features over 100 known works. He was a member of the Cretan school of painting. He was from the island of Crete. His contemporaries were Georgios Klontzas and El Greco. Damaskinos traveled all over Italy for over twenty years. He spent a significant amount of time in Venice. He adopted Italian mannerisms. He applied these new attributes to his paintings. He was friends with sculptor Alessandro Vittoria. He had a collection of drawings obtained from other Italian artists. Namely the Mannerist Parmigianino. He was also exposed to the magnificent works of Italian painter Raphael. One of the most spectacular works of art created by Raphael was the Disputation of the Holy Sacrament. The work is a fresco of church figures debating Transubstantiation. The work is located in Vatican City. Damaskinos saw the work and created his own version of the masterpiece. He created a Tribute to the Eucharist. Two versions of the painting survived the second one is in Platytera Monastery in Corfu, Greece. Many Greek painters copied Damaskino's work. Andreas Karantinos and Konstantinos Kontarinis both created notable versions. Luckily the work was copied by other painters. The work is one of the most important works of the Cretan School because it was heavily reproduced. The portable icon is part of the collection of the Byzantine and Christian Museum. (en)
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