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"Untitled" (Perfect Lovers) is a work of conceptual art produced by Félix González-Torres in an edition of three, plus one artist's proof, between 1987 and 1990. It consists of two identical synchronized clocks, that will eventually fall out of sync. An ambiguous work of art, many have interpreted it to be a commentary on González-Torres' partner's struggle with acquired immune deficiency syndrome (AIDS) and death at large.

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  • "Untitled" (Perfect Lovers) (en)
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  • "Untitled" (Perfect Lovers) is a work of conceptual art produced by Félix González-Torres in an edition of three, plus one artist's proof, between 1987 and 1990. It consists of two identical synchronized clocks, that will eventually fall out of sync. An ambiguous work of art, many have interpreted it to be a commentary on González-Torres' partner's struggle with acquired immune deficiency syndrome (AIDS) and death at large. (en)
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  • "Untitled" (Perfect Lovers) (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/StillLifeWithASkull.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Renaissance_Society.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Untitled_Perfect_Lovers.jpg
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  • Original clocks: 13 1/2 in. diameter each (en)
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  • "Untitled" (en)
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  • "Untitled" (Perfect Lovers) is a work of conceptual art produced by Félix González-Torres in an edition of three, plus one artist's proof, between 1987 and 1990. It consists of two identical synchronized clocks, that will eventually fall out of sync. An ambiguous work of art, many have interpreted it to be a commentary on González-Torres' partner's struggle with acquired immune deficiency syndrome (AIDS) and death at large. One of González-Torres' most famous works, it has appeared in over 70 exhibitions and has inspired multiple homages. When displayed at exhibitions and similar establishments it must adhere to specific guidelines illustrated by González-Torres such as the clocks having to be the same dimensions. (en)
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