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About: A Place to Stand (film)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEnglish-languageFilms, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatCanadianDocumentaryFilmsyago:WikicatCanadianFilmsyago:WikicatCanadianShortFilmsyago:WikicatWorld'sFairFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Documentary106616806yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1967Filmsyago:WikicatDocumentaryFilmsAboutCanadayago:WikicatEnglish-languageFilms New Facet based on Instances of this Class

A Place to Stand is a 1967 film produced and edited by the Canadian artist and filmmaker Christopher Chapman for the Ontario pavilion at Expo 67 in Montréal, Québec, Canada. For the film, he pioneered the concept of moving panes, of moving images, within the single context of the screen. At times there are 15 separate images moving at once. This technique, which he dubbed "multi-dynamic image technique" has since been employed in many films, notably Norman Jewison's 1968 film The Thomas Crown Affair. Mr. Jewison has credited Mr. Chapman as the creator of the edit style. The technique can also be seen more recently on television in the series 24.