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Actors of the Comédie-Française, also traditionally known as The Coquettes (Les Coquettes; from Coquettes qui pour voir), is an oil on panel painting in the Hermitage Museum, Saint Petersburg, by the French Rococo artist Antoine Watteau (1684–1721). Variously dated within the 1710s by scholars, the painting forms a compact half-length composition that combines portraiture and genre painting, notably influenced by Venetian school, the Le Nain brothers, and Watteau's master Claude Gillot; one of the rarest cases in Watteau's body of work, it shows five figures — two women, two men, and a black boy — amid a darkened background, in contrary to landscapes that are usually found in Watteau's fêtes galantes.

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  • Actors of the Comédie-Française (en)
  • Les Acteurs de la Comédie-Française (fr)
  • Актёры Французского театра (ru)
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  • Les Acteurs de la Comédie-Française, ou La Mascarade, est une œuvre attribuée à Antoine Watteau conservée au musée de l'Ermitage de Saint-Pétersbourg. (fr)
  • Actors of the Comédie-Française, also traditionally known as The Coquettes (Les Coquettes; from Coquettes qui pour voir), is an oil on panel painting in the Hermitage Museum, Saint Petersburg, by the French Rococo artist Antoine Watteau (1684–1721). Variously dated within the 1710s by scholars, the painting forms a compact half-length composition that combines portraiture and genre painting, notably influenced by Venetian school, the Le Nain brothers, and Watteau's master Claude Gillot; one of the rarest cases in Watteau's body of work, it shows five figures — two women, two men, and a black boy — amid a darkened background, in contrary to landscapes that are usually found in Watteau's fêtes galantes. (en)
  • «Актёры Французского театра», также «Кокетки» (фр. Les Coquettes, от Coquettes qui pour voir…) — картина французского живописца Антуана Ватто, различными исследователями датируемая в пределах от 1711 до 1718 годов. В настоящее время находится в Эрмитаже в Санкт-Петербурге (инв. ГЭ-1131), выставляется в зале № 284 (бывшем втором зале военных картин) на втором этаже Зимнего дворца. Техника исполнения произведения — масляная живопись на дереве, размер — 20 на 25 см. Картина представляет собой компактную полуфигурную композицию на стыке портретной и жанровой живописи, испытавшую влияние венецианской школы, братьев Ленен и наставника Ватто Клода Жилло; в отличие от многих галантных сцен, живописец изобразил пять фигур — двух мужчин, двух женщин и негритёнка между ними — на гладком тёмном фоне в (ru)
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  • Actors of the Comédie-Française (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Antoine_Watteau_062.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Anonymous_after_Antoine_Watteau_—_L'Amour,_sous_un_déguisment.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Antoine_Watteau_062_(detail,_the_old_man).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Capitulaciones_de_boda_y_baile_campestre_(Watteau)_(detail,_the_old_man_holding_the_hat).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Felix_Jean_Gauchard_—_La_Comédie_Italienne.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Henri_simon_thomassin-les_coquettes.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Preparation_for_the_Masquerade_by_Francesco_Bartolozzi.jpg
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