About: Albert Zugsmith     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat20th-centuryAmericanMaleActors, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FAlbert_Zugsmith&invfp=IFP_OFF&sas=SAME_AS_OFF

Albert Zugsmith (April 24, 1910 – October 26, 1993) was an American film producer, film director and screenwriter who specialized in low-budget exploitation films through the 1950s and 1960s. With a background in music promotion (Ted Weems, Paul Whiteman), public relations (one of his clients in Depression-era Chicago was Al Capone), journalism, and brokering communication properties (radio, newspaper, early television), Zugsmith became independently wealthy and began producing films at RKO during the Howard Hughes years. Zugsmith's most significant credits are a string of four genre masterpieces produced in the late 1950s, all for Universal Studios: the science-fiction classic The Incredible Shrinking Man, Orson Welles' Touch of Evil, Douglas Sirk's Written on the Wind, and the camp explo

AttributesValues
rdf:type
rdfs:label
  • Albert Zugsmith (en)
  • Albert Zugsmith (de)
  • Albert Zugsmith (sv)
rdfs:comment
  • Albert Zugsmith (* 24. April 1910 in Atlantic City, New Jersey; † 26. Oktober 1993 in Woodland Hills, Kalifornien) war ein US-amerikanischer Filmproduzent und -regisseur. (de)
  • Albert Zugsmith, född 24 april 1910 i Atlantic City, New Jersey, död 26 oktober 1993 i Woodland Hills, Kalifornien, var en amerikansk filmproducent. Zugsmith var verksam åren 1952–1974 men är framförallt känd för en rad av filmer producerade för Universal Studios under den senare delen av 1950-talet, bland dem För alla vindar (1956) av Douglas Sirk, I skräckens klor (1957) av Jack Arnold, samt En djävulsk fälla (1958) av Orson Welles. (sv)
  • Albert Zugsmith (April 24, 1910 – October 26, 1993) was an American film producer, film director and screenwriter who specialized in low-budget exploitation films through the 1950s and 1960s. With a background in music promotion (Ted Weems, Paul Whiteman), public relations (one of his clients in Depression-era Chicago was Al Capone), journalism, and brokering communication properties (radio, newspaper, early television), Zugsmith became independently wealthy and began producing films at RKO during the Howard Hughes years. Zugsmith's most significant credits are a string of four genre masterpieces produced in the late 1950s, all for Universal Studios: the science-fiction classic The Incredible Shrinking Man, Orson Welles' Touch of Evil, Douglas Sirk's Written on the Wind, and the camp explo (en)
foaf:name
  • Albert Zugsmith (en)
name
  • Albert Zugsmith (en)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Albert_Zugsmith.jpg
birth place
death place
death place
  • Woodland Hills, Los Angeles, U.S. (en)
death date
birth place
  • Atlantic City, New Jersey, U.S. (en)
birth date
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 67 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software