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All Hands to the Pumps is an 1888–89 painting by British artist Henry Scott Tuke. At the time, the 21-year-old Tuke was living on an old French brig Julie of Nantes, which he anchored in Falmouth Harbour to use as a floating studio. The work was exhibited at the Royal Academy Summer Exhibition in 1889; the same year, it became the first of Tuke's works to be purchased by the Chantrey Bequest Fund for the Tate Gallery. It is on loan to the Penlee House Gallery and Museum in Penzance.

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  • All Hands to the Pumps (en)
  • Todas las manos a las bombas (es)
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  • All Hands to the Pumps is an 1888–89 painting by British artist Henry Scott Tuke. At the time, the 21-year-old Tuke was living on an old French brig Julie of Nantes, which he anchored in Falmouth Harbour to use as a floating studio. The work was exhibited at the Royal Academy Summer Exhibition in 1889; the same year, it became the first of Tuke's works to be purchased by the Chantrey Bequest Fund for the Tate Gallery. It is on loan to the Penlee House Gallery and Museum in Penzance. (en)
  • Todas las manos a las bombas (inglés: All Hands to the Pumps) es un cuadro del pintor inglés Henry Scott Tuke de 1888-9. En ese momento, Tuke tenía 21 años y vivía en un viejo bergantín francés, el Julie of Nantes que había anclado en el puerto de Falmouth para usarlo como taller flotante.​ El cuadro se exhibió en 1889 en la , ese mismo año fue el primer cuadro de Tuke adquirido por los fondos de la Tate Gallery.​​ (es)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Henry_Scott_Tuke_-_All_Hands_to_the_Pumps_-_Google_Art_Project.jpg
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  • All Hands to the Pumps is an 1888–89 painting by British artist Henry Scott Tuke. At the time, the 21-year-old Tuke was living on an old French brig Julie of Nantes, which he anchored in Falmouth Harbour to use as a floating studio. The painting measures 73 × 55 inches (190 × 140 cm). It depicts several crewmen on the deck of a ship in a storm, manning the pump to remove water from the vessel. The ship has lost at least one of its sails, and the deck is awash. The red ensign hangs upside-down from the shrouds to indicate the ship's distress. One man shouts up towards the rigging, and another is up in the shrouds gesturing at the swell. The lively composition uses diagonal lines — arms, rigging, mast, pump handle, wind-blown flag — to draw the eye around the painting. University of Louisville professor Jongwoo Jeremy Kim detects a homoerotic subtext and speculates that the second figure from the left, with a white shirt under a grey waistcoat, wearing a cap, could be Tuke himself, looking across at Jack Rowling, one of Tuke's regular models, on the right in a red hat. Another of Tuke's regular models, Johnny Jackett, is in the rigging. The work was exhibited at the Royal Academy Summer Exhibition in 1889; the same year, it became the first of Tuke's works to be purchased by the Chantrey Bequest Fund for the Tate Gallery. It is on loan to the Penlee House Gallery and Museum in Penzance. (en)
  • Todas las manos a las bombas (inglés: All Hands to the Pumps) es un cuadro del pintor inglés Henry Scott Tuke de 1888-9. En ese momento, Tuke tenía 21 años y vivía en un viejo bergantín francés, el Julie of Nantes que había anclado en el puerto de Falmouth para usarlo como taller flotante.​ En él aparecen varios marineros en la cubierta de un barco durante una tormenta activando la bomba para achicar agua de la embarcación. La nave ha perdido al menos una de sus velas y la cubierta está inundada. El pabellón rojo cuelga del velamen desgarrado por el viento para indicar la angustia del barco. Un hombre grita hacia el aparejo, y otro está entre las jarcias señalando el oleaje. La composición animada utiliza líneas diagonales - brazos, aparejo, mástil, mango de bomba, bandera soplada por el viento– para atraer la vista alrededor del cuadro.​ Jongwoo Jeremy Kim detecta cierto subtexto homoerótico, y especula que la segunda figura desde la izquierda, con camisa blanca bajo chaleco gris con gorro, podría ser el mismo Tuke mirando a Jack Rowling, uno de sus modelos regulares, a la derecha con un gorro rojo; y que otro de sus modelos Johnny Jackett es el de la jarcia.​ El cuadro se exhibió en 1889 en la , ese mismo año fue el primer cuadro de Tuke adquirido por los fondos de la Tate Gallery.​​ (es)
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