About: Amaryllis (Marilyn Crispell, Gary Peacock and Paul Motian album)     Goto   Sponge   NotDistinct   Permalink

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Amaryllis is an album by pianist Marilyn Crispell, bassist Gary Peacock, and drummer Paul Motian recorded in 2000 and released on the ECM label. According to Crispell, four of the pieces on the album were improvised. In an interview, she recalled: "The title piece, 'Amaryllis,' sounds completely written, but it's not at all. Gary started a bass line, I came in with something, and we ended up playing the same lines at the same time. That's a very intimate thing. Something that I think is not as easy to pull off in a performance. It can be done, but the intimacy of the recording studio was particularly conducive to complete improvisation."

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  • Amaryllis (Marilyn Crispell, Gary Peacock and Paul Motian album) (en)
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  • Amaryllis is an album by pianist Marilyn Crispell, bassist Gary Peacock, and drummer Paul Motian recorded in 2000 and released on the ECM label. According to Crispell, four of the pieces on the album were improvised. In an interview, she recalled: "The title piece, 'Amaryllis,' sounds completely written, but it's not at all. Gary started a bass line, I came in with something, and we ended up playing the same lines at the same time. That's a very intimate thing. Something that I think is not as easy to pull off in a performance. It can be done, but the intimacy of the recording studio was particularly conducive to complete improvisation." (en)
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  • Amaryllis (en)
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  • Amaryllis .jpg (en)
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  • February 2000 (en)
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  • Amaryllis is an album by pianist Marilyn Crispell, bassist Gary Peacock, and drummer Paul Motian recorded in 2000 and released on the ECM label. According to Crispell, four of the pieces on the album were improvised. In an interview, she recalled: "The title piece, 'Amaryllis,' sounds completely written, but it's not at all. Gary started a bass line, I came in with something, and we ended up playing the same lines at the same time. That's a very intimate thing. Something that I think is not as easy to pull off in a performance. It can be done, but the intimacy of the recording studio was particularly conducive to complete improvisation." (en)
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