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About: Annie Rosar     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleFromVienna, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatAustrianFilmActressesyago:WikicatAustrianPeopleyago:WikicatAustrianStageActorsyago:WikicatAustrianStageActressesanimaleukaryotespeciesschema:Personyago:WikicatWomenyago:WikicatStageActorsyago:Actor109765278yago:Actress109767700yago:Adult109605289yago:CausalAgent100007347yago:Entertainer109616922yago:Female109619168yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:Woman110787470yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:WikicatActorsyago:WikicatActressesFromViennayago:WikicatPeopleFromVienna New Facet based on Instances of this Class

Annie Rosar (May 17, 1888 – August 5, 1963) was an Austrian stage and film actress who is best remembered today for her appearances in many Austrian comedy films from the 1930s to the early 1960s. In those movies, she was frequently cast in the comic roles of nagging wife (for example in Ungeküsst soll man nicht schlafen gehn opposite Hans Moser), "evil" mother-in-law, or understanding housekeeper, whether in rural (Heimatfilme) or urban settings. She occasionally also appeared in serious films, including her cameo performance as the porter's wife in The Third Man (1949), and in based on the novel by Franz Werfel in 1958.