Another Long March: Chinese conceptual and installation art in the nineties (Chinese: 另一次長征: 九十年代中國觀念和裝置藝術)was an contemporary art exhibition held in Breda, Netherlands in 1997. It was the first big survey of conceptual art and installation art from China in the West, presenting eighteen artists from leading Chinese art centres: Beijing, Shanghai, Hangzhou and Guangzhou. The forms of the works included video art, photography, installation art and performance art. The works dealt with various themes, including the transformation of the Chinese society in the 1990s, feminism, voyeurism and nudity in art.
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| - Another Long March: Chinese conceptual and installation art in the nineties (en)
- 另一次長征:九十年代中國觀念和裝置藝術 (zh)
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| - 另一次長征:九十年代中國觀念和裝置藝術 (Another Long March: Chinese conceptual and installation art in the nineties) 是一個克里斯·德里森(Chris Driessen)和瑪麗·布勞維爾(Marianne Brouwer) 策劃,並於1997年5月31日至8月3日在荷蘭布雷達的Chassé Kazerne舉行的當代藝術展覽。 這是西方首次全面審視中國的概念藝術和裝置藝術。展覽介紹了來自中國主要藝術中心(北京、上海、杭州和廣州)的18名藝術家。展出的作品形式包括影像藝術、攝影、裝置藝術和表演藝術。這些作品涵蓋不同主題,包括1990年代中國社會轉型、女性主義、窺視症和藝術中的裸露議題。策展人期望通過是次展覽擴闊人們對中國當代藝術的認識——不僅限於九十年代流行國際的玩世現實主義和政治波普。 (zh)
- Another Long March: Chinese conceptual and installation art in the nineties (Chinese: 另一次長征: 九十年代中國觀念和裝置藝術)was an contemporary art exhibition held in Breda, Netherlands in 1997. It was the first big survey of conceptual art and installation art from China in the West, presenting eighteen artists from leading Chinese art centres: Beijing, Shanghai, Hangzhou and Guangzhou. The forms of the works included video art, photography, installation art and performance art. The works dealt with various themes, including the transformation of the Chinese society in the 1990s, feminism, voyeurism and nudity in art. (en)
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| - Another Long March: Chinese conceptual and installation art in the nineties (Chinese: 另一次長征: 九十年代中國觀念和裝置藝術)was an contemporary art exhibition held in Breda, Netherlands in 1997. It was the first big survey of conceptual art and installation art from China in the West, presenting eighteen artists from leading Chinese art centres: Beijing, Shanghai, Hangzhou and Guangzhou. The forms of the works included video art, photography, installation art and performance art. The works dealt with various themes, including the transformation of the Chinese society in the 1990s, feminism, voyeurism and nudity in art. The exhibition was curated by Chris Driessen and Marianne Brouwer and took place at the Chassé Kazerne in Breda, Netherlands. In curating the exhibition, Driessen and Brouwer, intended to broaden the understanding of Chinese contemporary art beyond the painting styles Cynical Realism and Political Pop, which had gained international popularity in the 1990s. (en)
- 另一次長征:九十年代中國觀念和裝置藝術 (Another Long March: Chinese conceptual and installation art in the nineties) 是一個克里斯·德里森(Chris Driessen)和瑪麗·布勞維爾(Marianne Brouwer) 策劃,並於1997年5月31日至8月3日在荷蘭布雷達的Chassé Kazerne舉行的當代藝術展覽。 這是西方首次全面審視中國的概念藝術和裝置藝術。展覽介紹了來自中國主要藝術中心(北京、上海、杭州和廣州)的18名藝術家。展出的作品形式包括影像藝術、攝影、裝置藝術和表演藝術。這些作品涵蓋不同主題,包括1990年代中國社會轉型、女性主義、窺視症和藝術中的裸露議題。策展人期望通過是次展覽擴闊人們對中國當代藝術的認識——不僅限於九十年代流行國際的玩世現實主義和政治波普。 (zh)
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