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The Assumption of the Virgin (Italian: L'Assunzione della Vergine) by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600–1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter. Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates harmony, while the paintings of Caravaggio are dramatically lit and foreshortened.

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  • Assumption of the Virgin (Cerasi Chapel) (en)
  • Assunzione della Vergine (Annibale Carracci) (it)
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  • The Assumption of the Virgin (Italian: L'Assunzione della Vergine) by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600–1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter. Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates harmony, while the paintings of Caravaggio are dramatically lit and foreshortened. (en)
  • L'Assunzione della Vergine è un dipinto di Annibale Carracci collocato nella cappella Cerasi della basilica di Santa Maria del Popolo a Roma. Dopo la Santa Margherita della chiesa di Santa Caterina dei Funari l'opera è la seconda uscita pubblica di Annibale Carracci in una chiesa romana ed è una delle commissioni più prestigiose da lui ottenute di provenienza non farnesiana. (it)
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  • Assumption of the Virgin (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Tizian_041.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Annibale_Carracci_e_Caravaggio,_Cappella_Cerasi.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Assumption_of_Mary_-_Cerasi_Chapel_-_Santa_Maria_del_Popolo_-_Rome_2015.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Carracci_two_apostles_study.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Robes_of_the_virgin_carracci.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Study_for_the_Assumption_of_Cerasi_Chapel.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Study_for_the_Assumption_of_Cerasi_Chapel3.jpg
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  • Italian (en)
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  • L'Assunzione della Vergine (en)
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  • Assumption of Mary - Cerasi Chapel - Santa Maria del Popolo - Rome 2015.jpg (en)
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  • oil on wood (en)
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  • Assumption of the Virgin (en)
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  • The Assumption of the Virgin (Italian: L'Assunzione della Vergine) by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600–1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter. Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates harmony, while the paintings of Caravaggio are dramatically lit and foreshortened. (en)
  • L'Assunzione della Vergine è un dipinto di Annibale Carracci collocato nella cappella Cerasi della basilica di Santa Maria del Popolo a Roma. Dopo la Santa Margherita della chiesa di Santa Caterina dei Funari l'opera è la seconda uscita pubblica di Annibale Carracci in una chiesa romana ed è una delle commissioni più prestigiose da lui ottenute di provenienza non farnesiana. Nella cappella Cerasi Annibale e Caravaggio, i due migliori pittori attivi a Roma in quel momento, tra loro forse rivali ma animati da reciproca stima, si confrontarono direttamente - per la prima ed unica volta - dando vita ad uno dei capolavori inaugurali dell'arte barocca. (it)
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