Avarice (German: Allegorie des Geizes) is a small (35 × 29 cm) oil-on-limewood painting of 1507 by Albrecht Dürer (1471–1528). The work is found on the reverse of his Portrait of Young Man; it has been speculated, though it is impossible to know, that they were intended to form part of a diptych. Avarice is allegorical and serves as a warning at both the transience of life and the ultimate worthlessness of earthly fortune. It is generally grouped, along with Melencolia I, as one of Dürer's vanitas images.
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - رمزية الجشع (لوحة) (ar)
- Avarice (Dürer, Vienna) (en)
- Avaricia (Durero) (es)
- L'Avarice (Dürer) (fr)
- Chciwość (obraz Albrechta Dürera) (pl)
- Жадібність (Дюрер) (uk)
|
| rdfs:comment
| - رمزية الجَشِعَ (بالألمانية: Allegorie des Geizes) هي لوحة زيتية على الخشب من عام 1507 بريشة الرسام الألماني ألبرخت دورر. يصور في اللوحة امرأة عجوز بشعة ومتجعدة مع صدر واحد مترهل يتدلى من رداءها القرمزي وتحمل كيسًا من العملات الذهبية بكلتا يديها. تم العثور على العمل على ظهره لوحة للفنان بعنوان «بورترية رجل شاب». الجشع هو استعاري ويعمل بمثابة تحذير في كل من زوال الحياة وانعدام القيمة المطلق للثروة الأرضية. اللوحة الآن ضمن مجموعة متحف تاريخ الفنون في فيينا، النمسا. (ar)
- Avaricia (German: Allegorie des Geizes) es una obra de Alberto Durero pintada al óleo sobre tabla de tilia con unas medidas de 35 x 29. Está datada en 1507 y se conserva en el Museo de Historia del Arte de Viena. (es)
- Chciwość (Stara kobieta z workiem pieniędzy) (niem. Allegorie des Geizes) – obraz olejny Albrechta Dürera, namalowany w 1507 roku. (pl)
- «Жадібність» (нім. Allegorie des Geizes) — картина німецького художника Альбрехта Дюрера. (uk)
- Avarice (German: Allegorie des Geizes) is a small (35 × 29 cm) oil-on-limewood painting of 1507 by Albrecht Dürer (1471–1528). The work is found on the reverse of his Portrait of Young Man; it has been speculated, though it is impossible to know, that they were intended to form part of a diptych. Avarice is allegorical and serves as a warning at both the transience of life and the ultimate worthlessness of earthly fortune. It is generally grouped, along with Melencolia I, as one of Dürer's vanitas images. (en)
- L'Avarice (en allemand : Allegorie des Geizes) est un petit tableau (35 × 29 cm), une peinture à l'huile sur toile de 1507 d'Albrecht Dürer (1471-1528). Il montre une vieille femme grotesque et ridée, avec un affaissement de la poitrine qui pend de sa robe pourpre, tenant un sac de pièces d'or avec les deux mains. L'œuvre se trouve sur le revers de son Portrait de Jeune Homme ; il a été spéculé, mais il est impossible de le confirmer, qu'ils devaient faire partie d'un diptyque. L'Avarice est allégorique et sert d'avertissement à la fois sur le caractère éphémère de la vie et de l'ultime inutilité de la fortune terrestre. Il est généralement regroupé, avec Melencolia I, comme l'une des images de Vanité de Dürer. (fr)
|
| foaf:depiction
| |
| dct:subject
| |
| Wikipage page ID
| |
| Wikipage revision ID
| |
| Link from a Wikipage to another Wikipage
| |
| sameAs
| - Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
- Avarice (Dürer, Vienna)
|
| dbp:wikiPageUsesTemplate
| |
| thumbnail
| |
| Link from a Wikipa... related subject.
| |
| has abstract
| - رمزية الجَشِعَ (بالألمانية: Allegorie des Geizes) هي لوحة زيتية على الخشب من عام 1507 بريشة الرسام الألماني ألبرخت دورر. يصور في اللوحة امرأة عجوز بشعة ومتجعدة مع صدر واحد مترهل يتدلى من رداءها القرمزي وتحمل كيسًا من العملات الذهبية بكلتا يديها. تم العثور على العمل على ظهره لوحة للفنان بعنوان «بورترية رجل شاب». الجشع هو استعاري ويعمل بمثابة تحذير في كل من زوال الحياة وانعدام القيمة المطلق للثروة الأرضية. اللوحة الآن ضمن مجموعة متحف تاريخ الفنون في فيينا، النمسا. (ar)
- Avarice (German: Allegorie des Geizes) is a small (35 × 29 cm) oil-on-limewood painting of 1507 by Albrecht Dürer (1471–1528). The work is found on the reverse of his Portrait of Young Man; it has been speculated, though it is impossible to know, that they were intended to form part of a diptych. Avarice is allegorical and serves as a warning at both the transience of life and the ultimate worthlessness of earthly fortune. It is generally grouped, along with Melencolia I, as one of Dürer's vanitas images. Intended to represent both avarice and the passing nature of youthful beauty, the woman is shown in half-length, painted in thick impasto. She has long straight blond hair, glazed eyes, a long nose, a pinched jaw and a mouth with only two remaining teeth, which is twisted in a scornful laugh. Her visible right arm is muscular and out of proportion to the rest of her body, while a dark tuft of hair sprouts from her underarm. Only her hair and the regular and almost noble outlines of her face hint at former beauty. The intense focus of the image is achieved by tight cropping and the contrasting of the lush colouring of the woman's gown and hair against a flat black background. Art historians have compared the work to a Giorgionesque canvas Col tempo (With age), with which it shares obvious thematic similarities, while Dürer's use of impasto and the rich colouring in the foreground display a debt to the Venetian school. The art historian T. Sturge Moore suggests that Dürer may have wanted to show that he could paint like Giorgione. Others believe that the work is a satire on a sitter who had not paid him as much as he might have wished for an earlier portrait. However, given the artist's financial situation at this time, it seems unlikely that he would have deliberately offended potential patrons or customers. Writer Jessie Allen discounts this theory and believes that the work was likely unable to attract a buyer and so, to save money, Dürer used the other side of the canvas to create a commercially viable image. The work is often seen as unfinished, and is sometimes referred to as a sketch. Avarice is held in the Kunsthistorisches Museum, Vienna. It is in good condition, and the colours retain their vibrancy. In the Kunsthistoriches it is labeled "Allegorische Frauenfigur/Allegorical Female Figure" (en)
- L'Avarice (en allemand : Allegorie des Geizes) est un petit tableau (35 × 29 cm), une peinture à l'huile sur toile de 1507 d'Albrecht Dürer (1471-1528). Il montre une vieille femme grotesque et ridée, avec un affaissement de la poitrine qui pend de sa robe pourpre, tenant un sac de pièces d'or avec les deux mains. L'œuvre se trouve sur le revers de son Portrait de Jeune Homme ; il a été spéculé, mais il est impossible de le confirmer, qu'ils devaient faire partie d'un diptyque. L'Avarice est allégorique et sert d'avertissement à la fois sur le caractère éphémère de la vie et de l'ultime inutilité de la fortune terrestre. Il est généralement regroupé, avec Melencolia I, comme l'une des images de Vanité de Dürer. L'Avarice est conservée au Kunsthistorisches Museum de Vienne. Il est en bon état, et les couleurs gardent leur éclat. (fr)
- Avaricia (German: Allegorie des Geizes) es una obra de Alberto Durero pintada al óleo sobre tabla de tilia con unas medidas de 35 x 29. Está datada en 1507 y se conserva en el Museo de Historia del Arte de Viena. (es)
- Chciwość (Stara kobieta z workiem pieniędzy) (niem. Allegorie des Geizes) – obraz olejny Albrechta Dürera, namalowany w 1507 roku. (pl)
- «Жадібність» (нім. Allegorie des Geizes) — картина німецького художника Альбрехта Дюрера. (uk)
|
| gold:hypernym
| |
| prov:wasDerivedFrom
| |
| page length (characters) of wiki page
| |
| foaf:isPrimaryTopicOf
| |
| is Link from a Wikipage to another Wikipage
of | |
| is Wikipage redirect
of | |
| is Wikipage disambiguates
of | |
| is foaf:primaryTopic
of | |
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)
