Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
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| - Back from the Grave, Volume 9 (en)
- Back from the Grave Volume 9 (it)
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| - Back from the Grave Volume 9 è il nono album della omonima collana di album discografici, pubblicato dalla Crypt Records nel 2014. L'album contiene una selezione di brani di genere garage rock degli anni sessanta. Insieme al successivo Back from the Grave Volume 10, è stato pubblicato anche in un unico CD dallo stesso titolo. (it)
- Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. (en)
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| - Back from the Grave, Volumes 9 (en)
- Back from the Grave, Volumes 9 and 10 (en)
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| - Back from the Grave, Volume 9 .jpg (en)
- Back_from_the_Grave,_Volumes_9_and_10_CD.JPEG (en)
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| - Garage rock (en)
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- protopunk (en)
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| - Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging contains well-researched liner notes written by Chris Bishop of Garage Hangover.com which convey basic information about each song and group, such as origin, recording date, and biographical sketches, as well as photographs of the bands. The album cover artwork features a highly satirical cartoon by Olaf Jens depicting noticeably gleeful revivified zombies who, on this occasion, have returned from "rock and roll heaven" on "retro" flying saucers and are targeting their customary victims: followers of supposedly "heretical" genres of music which have come to prominence over the years, which in this case include heavy metal, hardcore punk (insinuating that it is not true punk), rap, and modern pop-country—all done with a noticeable disdain for iPhones, music downloads, and other popular specimens of current technology and fashion (i.e. "exposed undies"), but are presented as "minor figures" in Jens' Sistine Chapel-like diorama depicting a global TNT-blasted apocalypse initiated as a result of the zombies' cleansing in their quest to permanently re-establish the reign of "true" rock & roll. The album begins with the driving protopunk of "Circuit Breaker," by the Pastels, from Pasco, Washington. The High Spirits from Saint Louis Park, Minnesota, follow with a version of the Zombies' "It's Alright With Me," which at midpoint shifts from a slow tempo accelerating in cadence, then rising to an organ-drenched climax consummated by a bee-sting guitar solo accompanied by cathartic screams. The Emeralds from Greenwood, Indiana are featured on the gritty blues-based "Like Father Like Son," which recounts a woeful tale partially based on A Tale of Two Cities, by Victorian novelist Charles Dickens, in which the character Jerry Cruncher is a porter by day and a grave robber at night, whose lyrics snidely remark: "...my son goes to the church where they wear the black capes where you're taught not to have your fun..." Also included is the 1965 demo acetate version of "It's a Cry'n Shame" by The Gentlemen, from Dallas, Texas. Knoll Allen And The Noble Savages are heard on the highly primitive sexually-charged "Animal." "No Room For Your Love," by the Starfyres, closes out the set. (en)
- Back from the Grave Volume 9 è il nono album della omonima collana di album discografici, pubblicato dalla Crypt Records nel 2014. L'album contiene una selezione di brani di genere garage rock degli anni sessanta. Insieme al successivo Back from the Grave Volume 10, è stato pubblicato anche in un unico CD dallo stesso titolo. (it)
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