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In jazz and jazz harmony, the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V7 to I, see also authentic cadence) is, by inference, the "front door", a metaphor suggesting that this is the main route to the tonic.

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  • Backdoor progression (en)
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  • In jazz and jazz harmony, the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V7 to I, see also authentic cadence) is, by inference, the "front door", a metaphor suggesting that this is the main route to the tonic. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Backdoor_versus_dominant_in_the_chromatic_circle.png
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  • In jazz and jazz harmony, the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V7 to I, see also authentic cadence) is, by inference, the "front door", a metaphor suggesting that this is the main route to the tonic. The ♭VII7 chord, a pivot chord borrowed from the parallel minor of the current tonic major key, is a dominant seventh. Therefore, it can resolve to I; it is commonly preceded by IV going to iv, then ♭VII7, then I. In C major the dominant would be G7: (the notes GBDF), sharing two common tones with B♭7: (the notes B♭DFA♭). The notes A♭ and F serve as upper leading-tones back to G and E (when the chord moves to the tonic, C major), respectively, rather than B♮ and F serving as the lower and upper leading-tones to C and E in a conventional G7-C major (V7-I) cadence. (en)
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