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Dayton Burr "Bones" Howe (born March 18, 1933) is an American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association. With the exception of Closing Time, he produced and engineered all of Tom Waits' releases with Asylum Records, some of which are considered among the artist's best recordings. Their almost decade-long collaboration has been described as "one of the great artist-producer partnerships". Howe performed music supervision on several feature films, and was one of the first industry members to serve as both producer and engineer of the hit records on which he wor

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  • بونز هاو (ar)
  • Bones Howe (cs)
  • Bones Howe (en)
  • ボーンズ・ハウ (ja)
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  • Dayton Burr „Bones“ Howe (* 1933 Minneapolis, Minnesota, USA) je americký hudební producent a zvukový inženýr. V šedesátých letech spolupracoval se skupinami The 5th Dimension a The Association. Později produkoval několik alb Toma Waitse. Jako zvukový inženýr se podílel například na skladbě „California Dreamin'“ skupiny The Mamas and the Papas. (cs)
  • بونز هاو (بالإنجليزية: Bones Howe)‏ هو ملحن ومنتج أسطوانات أمريكي، ولد في 18 مارس 1933 في منيابولس في الولايات المتحدة. (ar)
  • デイトン・バー・"ボーンズ"・ハウ(Dayton Burr "Bones" Howe、1933年3月18日 - )は、グラミー賞を受賞したこともある音楽プロデューサー、レコーディング・エンジニアで、おもに1960年代から1970年代にかけて、フィフス・ディメンションやアソシエイションのヒットの大部分など、サンシャイン・ポップ (sunshine pop) のジャンルを中心にヒット曲を手がけ、また、何本もの映画の音楽監修を務めた。ハウは、ヒット曲においてプロデューサーとエンジニアの両方を務めた、音楽業界において最も初期の人物のひとりである。さらに、ハウはレコーディングの際に「デイトン・ハウ (Dayton Howe)」名義で、ミュージシャンとしてクレジットされることもあった。 (ja)
  • Dayton Burr "Bones" Howe (born March 18, 1933) is an American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association. With the exception of Closing Time, he produced and engineered all of Tom Waits' releases with Asylum Records, some of which are considered among the artist's best recordings. Their almost decade-long collaboration has been described as "one of the great artist-producer partnerships". Howe performed music supervision on several feature films, and was one of the first industry members to serve as both producer and engineer of the hit records on which he wor (en)
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