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The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CE♭G & DF♯A), as well as a major chord with the minor chord a semitone above (CEG & D♭F♭A♭), which share the same mediant (E/F♭). ) When inverted, both form eleventh chords (DF♯ACE♭G = D11♭9 and D♭F♭A♭CEG = D♭mM7A9A11).

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rdfs:label
  • Bridge chord (en)
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  • The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CE♭G & DF♯A), as well as a major chord with the minor chord a semitone above (CEG & D♭F♭A♭), which share the same mediant (E/F♭). ) When inverted, both form eleventh chords (DF♯ACE♭G = D11♭9 and D♭F♭A♭CEG = D♭mM7A9A11). (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Bridge_chord_on_C.png
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sixth interval
third interval
tuning
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date
  • September 2019 (en)
reason
  • On this page, Hold only says "this section ending in a climax on a bitonal 'Bridge' chord ". (en)
  • Source names the first as the Bridge chord, but not the second. (en)
  • Why is this listed as the Bridge chord? Either add cited correlation between the two bichords or omit the second chord. The first is verifiable as a Bridge chord, but I can find no trustworthy sources labeling the second as such. (en)
has abstract
  • The Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a whole tone above (CE♭G & DF♯A), as well as a major chord with the minor chord a semitone above (CEG & D♭F♭A♭), which share the same mediant (E/F♭). ) When inverted, both form eleventh chords (DF♯ACE♭G = D11♭9 and D♭F♭A♭CEG = D♭mM7A9A11). According to Anthony Payne, Paul Hindmarsh and Lewis Foreman, Bridge had strong pacifist convictions, and he was deeply disturbed by the First World War. The Bridge chord appears to have been introduced in the years following the War, as Bridge experimented with more prominent use of dissonance in his musical language and a more structured method of composition. Its first use in his published work is in the Piano Sonata (1921–24). The Bridge chord is fairly dissonant, with two minor seconds, two major seconds, one augmented second, and two tritones contained in the chord. (en)
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  • Bridge chord (en)
complement
fifth interval
first interval
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fourth interval
second interval
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