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Catullus 2 is a poem by Roman poet Gaius Valerius Catullus (c. 84 – c. 54 BCE) that describes the affectionate relationship between an unnamed "puella" (possibly Catullus' lover, Lesbia), and her pet sparrow. As scholar and poet John Swinnerton Phillimore has noted, "The charm of this poem, blurred as it is by a corrupt manuscript tradition, has made it one of the most famous in Catullus' book." The meter of this poem is hendecasyllabic, a common form in Catullus' poetry.

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  • Catullus 2 (es)
  • Catullus 2 (en)
  • Carme II (it)
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  • Catullus 2 is a poem by Roman poet Gaius Valerius Catullus (c. 84 – c. 54 BCE) that describes the affectionate relationship between an unnamed "puella" (possibly Catullus' lover, Lesbia), and her pet sparrow. As scholar and poet John Swinnerton Phillimore has noted, "The charm of this poem, blurred as it is by a corrupt manuscript tradition, has made it one of the most famous in Catullus' book." The meter of this poem is hendecasyllabic, a common form in Catullus' poetry. (en)
  • Se llama Catullus 2 a un poema del poeta romano Cayo Valerio Catulo (87 a. C. – 54 a. C) que describe la relación afectuosa entre la amante de Catulo, Lesbia, y su gorrión mascota. La métrica de este poema es de versos endecasílabos, una forma común en la poesía de Catulo.​ (es)
  • Il Carme 2 di Catullo fa parte del Liber, ovvero la raccolta delle opere dell'autore, compilata probabilmente dopo la sua morte in maniera arbitraria, secondo un ordine legato alla metrica dei singoli componimenti, piuttosto che cronologico o tematico. Il Carme 2, intitolato poi genericamente Il passero di Lesbia, è il primo che si incontra legato alla figura di Lesbia e fa parte delle cosiddette nugae ("bazzecole"), ovvero i carmi dall'1 al 60. (it)
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  • Catullus 2 is a poem by Roman poet Gaius Valerius Catullus (c. 84 – c. 54 BCE) that describes the affectionate relationship between an unnamed "puella" (possibly Catullus' lover, Lesbia), and her pet sparrow. As scholar and poet John Swinnerton Phillimore has noted, "The charm of this poem, blurred as it is by a corrupt manuscript tradition, has made it one of the most famous in Catullus' book." The meter of this poem is hendecasyllabic, a common form in Catullus' poetry. This poem, together with Catullus' other poems, survived from antiquity in a single manuscript discovered c. 1300 CE in Verona, from which three copies survive. Fourteen centuries of copying from copies — the "corrupt manuscript tradition" mentioned above — left scholars in doubt as to the poem's original wording in a few places, although centuries of scholarship have led to a consensus critical version. Research on Catullus was the first application of the genealogical method of textual criticism. Lines 1–10 represent the preserved core of the poem. Lines 11–13 are denoted as "Catullus 2b" and differ significantly in tone and subject from the first 10 lines. Hence, these latter three lines may belong to a different poem. In the original manuscripts, these thirteen lines were combined with Catullus 3, which describes the death of Lesbia's sparrow, but the two poems were separated by scholars in the 16th century. (en)
  • Se llama Catullus 2 a un poema del poeta romano Cayo Valerio Catulo (87 a. C. – 54 a. C) que describe la relación afectuosa entre la amante de Catulo, Lesbia, y su gorrión mascota. La métrica de este poema es de versos endecasílabos, una forma común en la poesía de Catulo.​ Este poema, junto con el resto de los poemas de Catulo, sobrevivió en un único manuscrito descubierto hacia el 1.300 en Verona, y del cual todavía se conservan tres copias. Los numerosos siglos de copiar de las copias, dejó a los estudiosos con dudas sobre varias palabras del poema, aunque se llegó a una versión de consenso.​ (es)
  • Il Carme 2 di Catullo fa parte del Liber, ovvero la raccolta delle opere dell'autore, compilata probabilmente dopo la sua morte in maniera arbitraria, secondo un ordine legato alla metrica dei singoli componimenti, piuttosto che cronologico o tematico. Il Carme 2, intitolato poi genericamente Il passero di Lesbia, è il primo che si incontra legato alla figura di Lesbia e fa parte delle cosiddette nugae ("bazzecole"), ovvero i carmi dall'1 al 60. Lesbia è stata identificata con la matrona Clodia, donna sposata e colta, con cui l'autore ebbe un intenso e tormentato rapporto, narrato nella sua evoluzione psicologica in gran parte dei suoi componimenti. (it)
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