• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Central Station Design     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:SocialGroup107950920, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingcompanyyago:WikicatCompaniesBasedInManchesteryago:Abstraction100002137yago:Company108058098yago:Group100031264yago:Institution108053576yago:Organization108008335yago:YagoLegalActoryago:YagoLegalActorGeoyago:YagoPermanentlyLocatedEntityyago:SocialGroup107950920 New Facet based on Instances of this Class

Central Station Design is a Mancunian design company founded by Pat Carroll, Karen Jackson, and Matt Carroll. It is usually associated with Factory Records and the Madchester scene of the early 1990s. The company created album cover artwork and posters for Factory artists including The Happy Mondays, Black Grape, and James. Their design for the Happy Mondays' Madchester Rave On E.P. in late 1989 became the iconic logo for the movement. Their work came to represent the movement so clearly that Factory Records owner and radio presenter Tony Wilson said, "The second half of the Factory story is best summed up by the painterly eccentricity of Central Station." Speaking about Manchester in the 1980s and 1990s, Karen Jackson said, "At some point you need an incubator and a home for all this ener