• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Charles Austin (comedian)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : owl:Thing, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Charles Austin (born Charles Reynolds; 4 April 1878 – 14 January 1942) was an English music hall comedian. He was born in London, and started performing in music halls in 1896, initially as one half of a double act, Lytton and Austin. Inspired by the sight of a redundant police station, he developed a solo act in the character of an inept policeman, "Parker, P.C.", which he first performed at Collins' Music Hall in Islington in 1908. Austin came to be described as "The King of Cockney Humour", and, starting in 1910, he recorded a number of comedy sketches as Parker P.C. With fellow music hall performer Billy Merson, he set up Homeland Films, with whom he made several silent short films, including Parker's Weekend (1916) and The Exploits of Parker (1917), directed by W. P. Kellino.