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Chokuan Soga (Japanese: 曽我 直庵, Hepburn: Soga Chokuan) (fl. late 16th–early 17th c.) was a Japanese painter recognized for his bird-and-flower paintings. Within the bird-and-flower idiom, Soga excelled at painting landfowl, such as roosters: With careful brushwork and rich tones, he gave them an attitude of fierce dignity. He worked rapidly, as this was the fashion in ink wash painting at the time. He was celebrated for his depictions of falconry and was commissioned by prominent samurai to paint either individual or sets of tethered hawk images for folding screens.

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  • Chokuan Soga (en)
  • 曽我直庵 (ja)
  • Chokuan Soga (pl)
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  • 曽我 直庵(そが ちょくあん、生年不詳 - 慶長年間没)は、安土桃山時代から江戸時代初期にかけての絵師。ただし、直庵が実際に曽我姓を用いたかは不明である。狩野永徳、長谷川等伯、海北友松、雲谷等顔らと並び桃山時代を代表する画人であるが、その画力に比べて史料が少なく、謎が多い絵師である。 (ja)
  • Chokuan Soga (jap. 曽我 直庵 Soga Chokuan; ur. ?? - zm. po 1610 roku w Sakai) – japoński malarz. Specjalizował się w kompozycjach łączących motywy ptaków i kwiatów. Był protoplastą rodziny artystów Soga. Jest wysoko ceniony jako malarz ptaków (z kolei jego syn, Chokuan II, za malowanie sokołów). Jego realistyczne, barwne kompozycje ptaków i kwiatów na parawanach, można znaleźć w świątyni Hōki na górze Kōya, w świątyni Daitoku w Kioto i Muzeum Narodowym w Tokio. Chokuan malował także w stylu chińskim i suiboku (lub sumi-e, malarstwo tuszem). (pl)
  • Chokuan Soga (Japanese: 曽我 直庵, Hepburn: Soga Chokuan) (fl. late 16th–early 17th c.) was a Japanese painter recognized for his bird-and-flower paintings. Within the bird-and-flower idiom, Soga excelled at painting landfowl, such as roosters: With careful brushwork and rich tones, he gave them an attitude of fierce dignity. He worked rapidly, as this was the fashion in ink wash painting at the time. He was celebrated for his depictions of falconry and was commissioned by prominent samurai to paint either individual or sets of tethered hawk images for folding screens. (en)
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  • Chokuan Soga (Japanese: 曽我 直庵, Hepburn: Soga Chokuan) (fl. late 16th–early 17th c.) was a Japanese painter recognized for his bird-and-flower paintings. Within the bird-and-flower idiom, Soga excelled at painting landfowl, such as roosters: With careful brushwork and rich tones, he gave them an attitude of fierce dignity. He worked rapidly, as this was the fashion in ink wash painting at the time. He was celebrated for his depictions of falconry and was commissioned by prominent samurai to paint either individual or sets of tethered hawk images for folding screens. Although several of his works are extant, the details of his life are mostly undocumented. He was born in the late 16th century, and is believed to have died sometime during or after the Keichō period. Soga had a son, Nichokuan (literally, Chokuan II). Nichokuan continued the Soga school, and is known for his impressive renderings of hawks. (en)
  • 曽我 直庵(そが ちょくあん、生年不詳 - 慶長年間没)は、安土桃山時代から江戸時代初期にかけての絵師。ただし、直庵が実際に曽我姓を用いたかは不明である。狩野永徳、長谷川等伯、海北友松、雲谷等顔らと並び桃山時代を代表する画人であるが、その画力に比べて史料が少なく、謎が多い絵師である。 (ja)
  • Chokuan Soga (jap. 曽我 直庵 Soga Chokuan; ur. ?? - zm. po 1610 roku w Sakai) – japoński malarz. Specjalizował się w kompozycjach łączących motywy ptaków i kwiatów. Był protoplastą rodziny artystów Soga. Jest wysoko ceniony jako malarz ptaków (z kolei jego syn, Chokuan II, za malowanie sokołów). Jego realistyczne, barwne kompozycje ptaków i kwiatów na parawanach, można znaleźć w świątyni Hōki na górze Kōya, w świątyni Daitoku w Kioto i Muzeum Narodowym w Tokio. Chokuan malował także w stylu chińskim i suiboku (lub sumi-e, malarstwo tuszem). (pl)
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