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Christus am Ölberge (in English, Christ on the Mount of Olives), Op. 85, is an oratorio by Ludwig van Beethoven portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. It was begun in the fall of 1802, soon after his completion of the Heiligenstadt Testament, as indicated by evidence in the Wielhorsky sketchbook. The libretto in German is by the poet , editor of the Wiener Zeitung, with whom Beethoven worked closely. It was written in a very short period; in a letter to Breitkopf & Härtel written shortly after the oratorio's completion, Beethoven spoke of having written it in "a few weeks", although he later claimed that the piece required no more than 14 days to complete. It was first performed on April 5, 1803 at the Theater an der Wien in Vienna;

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rdf:type
rdfs:label
  • Crist en el Mont de les Oliveres (Beethoven) (ca)
  • Christus am Ölberge (de)
  • Cristo en el Monte de los Olivos (Beethoven) (es)
  • Christ on the Mount of Olives (Beethoven) (en)
  • Christus am Ölberge (fr)
  • Cristo sul Monte degli Ulivi (Beethoven) (it)
  • オリーヴ山上のキリスト (ja)
  • Christus am Ölberge (nl)
  • Cristo no Monte das Oliveiras (pt)
rdfs:comment
  • Christus am Ölberge ist das einzige Oratorium von Ludwig van Beethoven. Das Werk wurde 1803 in Wien uraufgeführt, jedoch erst 1811 veröffentlicht. Daher trägt es im Werkverzeichnis Beethovens die relativ hohe Opuszahl 85. (de)
  • 『オリーヴ山上のキリスト』(Christus am Ölberge)作品85は、ベートーヴェンが1803年に作曲したオラトリオ。『かんらん山上のキリスト』、『橄欖山のキリスト』とも訳される。 オリーヴ山上でのキリストのエホバへの祈りとその受難(彼が捕縛される場面)を描いたものである。 (ja)
  • Christus am Ölberge (vertaald: Christus op de Olijfberg) is het enige Oratorium van Ludwig van Beethoven. De muziek beeldt de emotionele onrust uit van Jezus in de tuin van Getsemane voorafgaand aan zijn kruisiging.Het werk werd in 1803 in Wenen voor het eerst uitgevoerd, maar pas in 1811 gepubliceerd. daardoor heeft het met 85 een betrekkelijk hoog opusnummer. (nl)
  • Crist en el Mont de les Oliveres (en alemany, Christus am Ölberge), Op. 85, és un oratori de Ludwig van Beethoven que retrata l'agitació emocional de Jesús en el jardí de Getsemaní previ a la seva crucifixió. La va començar durant la tardor de 1802, poc després de la conclusió del seu Testament de Heiligenstadt, com apareix indicat en el quadern Wielhorsky. El libretto, en alemany, és pel poeta Franz Xaver Huber, editor del Wiener Zeitung, amb qui Beethoven va treballar de costat. Fou escrit en un període molt curt; en una carta a Breitkopf & Härtel escrita poc després de la conclusió de l'oratori, Beethoven va parlar d'haver-lo compost en "unes quantes setmanes", tot i que ell més tard comentà que la peça requeria no més de 14 dies de composició. Fou estrenada el 5 d'abril de 1803 al Thea (ca)
  • Christus am Ölberge (in English, Christ on the Mount of Olives), Op. 85, is an oratorio by Ludwig van Beethoven portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. It was begun in the fall of 1802, soon after his completion of the Heiligenstadt Testament, as indicated by evidence in the Wielhorsky sketchbook. The libretto in German is by the poet , editor of the Wiener Zeitung, with whom Beethoven worked closely. It was written in a very short period; in a letter to Breitkopf & Härtel written shortly after the oratorio's completion, Beethoven spoke of having written it in "a few weeks", although he later claimed that the piece required no more than 14 days to complete. It was first performed on April 5, 1803 at the Theater an der Wien in Vienna; (en)
  • Cristo en el Monte de los Olivos (en alemán, Christus am Ölberge) Op. 85, es el único oratorio de Ludwig van Beethoven,​en el que procura retratar la agitación emocional de Jesucristo en el jardín de Getsemaní en los momentos previos a su ejecución. Beethoven podría estar reflejando su propia experiencia ante los sentimientos que padecía viendo el avance de su propia enfermedad.​ Desde entonces, ha sido poco interpretada. La parte más popular es el Welten Singen, un final para coro, que se ha comparado con el "Aleluya" de Handel, y que a menudo se escucha en iglesias y coros universitarios. (es)
  • Le Christ au Mont des Oliviers( Pour les articles homonymes, voir Le Christ au Mont des Oliviers. ) Cet article est une ébauche concernant la musique classique. Vous pouvez partager vos connaissances en l’améliorant (comment ?) selon les recommandations des projets correspondants. (fr)
  • Cristo sul Monte degli Ulivi (Op. 85) è un oratorio in lingua tedesca di Ludwig van Beethoven su libretto di Franz Xaver Huber, poeta che prendeva le mosse verso la carriera di librettista.Si tratta del primo cimento di Ludwig van Beethoven con la musica vocale drammatica dal suo arrivo a Vienna e con la musica liturgica, genere che l'autore non coltivò molto, ma nel quale produsse un capolavoro: la Missa Solemnis op. 123.Fu rappresentata la prima volta al Theater an der Wien (Vienna), insieme con la II sinfonia, con il III concerto per pianoforte, nell'Accademia del 5 aprile 1803 diretta da Ignaz von Seyfried, ma la partitura fu pubblicata da Breitkopf & Härtel di Lipsia solo nel 1811 e ciò spiega il numero d'opus tanto elevato per un'opera della prima maturità.La composizione durò appena (it)
  • Cristo no Monte das Oliveiras (no original em alemão, Christus am Ölberge), opus 85, é um oratório composto por Ludwig van Beethoven para solistas vocais, coro e orquestra. A composição iniciou em novembro de 1802 e terminou na primavera de 1803. Seu libreto, elaborado pelo poeta , narra as angústias de Jesus no Jardim das Oliveiras antes da sua prisão e crucificação. Foi estreado no Theater an der Wien em 5 de abril de 1803 e revisado para uma segunda apresentação em 27 de março de 1804. Uma segunda revisão ocorreu para publicação da obra pela editora em 1811. (pt)
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