Ciṟupāṇāṟṟuppaṭai (Tamil: சிறுபாணாற்றுப்படை, lit. "guide for bards with the small lute") is an ancient Tamil poem, likely the last composed in the Pattuppattu anthology of the Sangam literature. It contains 296 lines in the akaval meter. It is one of five arruppatai genre poems and was a guide to other bards seeking a patron for their art. The main hero honored in the poem is Nalliyakkotan, but the poem reverentially mentions an additional seven minor chieftains and three kings. The poem is dated to sometime between the late 3rd century CE and 5th century CE by Kamil Zvelebil – a Tamil literature scholar.
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| - Sirupanatruppadai (de)
- Ciṟupāṇāṟṟuppaṭai (en)
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| - Das Sirupanatruppadai (சிறுபாணாற்றுப்படை Ciṟupāṇāṟṟuppaṭai [ˈsirɯpaːɳaːtːrɯpːaɖɛi̯] „Wegweisung für den Barden mit der kleinen Laute“ oder „kleine Wegweisung für den Barden mit der Laute“) ist ein Werk der alttamilischen Sangam-Literatur. Es handelt sich um ein längeres Einzelgedicht aus dem Genre der Heldendichtung (puram). Innerhalb der Sangam-Literatur gehört es zur Gruppe der „zehn Gesänge“ (Pattuppattu). (de)
- Ciṟupāṇāṟṟuppaṭai (Tamil: சிறுபாணாற்றுப்படை, lit. "guide for bards with the small lute") is an ancient Tamil poem, likely the last composed in the Pattuppattu anthology of the Sangam literature. It contains 296 lines in the akaval meter. It is one of five arruppatai genre poems and was a guide to other bards seeking a patron for their art. The main hero honored in the poem is Nalliyakkotan, but the poem reverentially mentions an additional seven minor chieftains and three kings. The poem is dated to sometime between the late 3rd century CE and 5th century CE by Kamil Zvelebil – a Tamil literature scholar. (en)
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| - Ciṟupāṇāṟṟuppaṭai (Tamil: சிறுபாணாற்றுப்படை, lit. "guide for bards with the small lute") is an ancient Tamil poem, likely the last composed in the Pattuppattu anthology of the Sangam literature. It contains 296 lines in the akaval meter. It is one of five arruppatai genre poems and was a guide to other bards seeking a patron for their art. The main hero honored in the poem is Nalliyakkotan, but the poem reverentially mentions an additional seven minor chieftains and three kings. The poem is dated to sometime between the late 3rd century CE and 5th century CE by Kamil Zvelebil – a Tamil literature scholar. The Ciṟupāṇāṟṟuppaṭai poem, also referred to as Sirupanattrupadai, is named after sirupanar – a class of minstrels who sang their bards while playing a small yal (yazh, lute). The poem's subject is a band of bards and their womenfolk who meet the author, and he guides them in the form of this poem. The guidance mentions a series of cities and villages the troupe must pass through on their journey to the Nalliyakkotan's palace. In this list are included Maturai – the capital of Pandyas, Uranthai – the capital of Cholas, and Vanci – the capital of Cheras. Other coastal and inland towns are also mentioned, including Eyilpattinam and Velur. (en)
- Das Sirupanatruppadai (சிறுபாணாற்றுப்படை Ciṟupāṇāṟṟuppaṭai [ˈsirɯpaːɳaːtːrɯpːaɖɛi̯] „Wegweisung für den Barden mit der kleinen Laute“ oder „kleine Wegweisung für den Barden mit der Laute“) ist ein Werk der alttamilischen Sangam-Literatur. Es handelt sich um ein längeres Einzelgedicht aus dem Genre der Heldendichtung (puram). Innerhalb der Sangam-Literatur gehört es zur Gruppe der „zehn Gesänge“ (Pattuppattu). Das Sirupanatruppadai hat eine Länge von 269 Zeilen und ist im Agaval-Versmaß verfasst. Es wird dem Autor zugeschrieben. Von den zwei Genres der Sangam-Literatur, Liebes- und Heldendichtung, gehört das Sirupanatruppadai zum Genre der Heldendichtung (puram). Dabei vertritt es das Sub-Genre des „Wegweisungs-Gedichts“ (atruppadai), in dem ein Barde einem anderen Barden den Weg zu einem Gönner weist und diesen dabei preist. Der im Sirupanatruppadai besungene Patron ist der Fürst vom Stamm der Oy. Der Dichter preist in dem Werk ausführlich die Tapferkeit und Großzügigkeit des Herrschers und beschreibt das Land, über das er herrscht. Die Datierung der Sangam-Literatur ist höchst unsicher. Anhand sprachlicher und stilistischer Kriterien wird für das Sirupanatruppadai aber ein Entstehungszeitraum im 4. Jahrhundert vorgeschlagen. (de)
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