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The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's The Mandrake (1524), the anonymous Italian play The Deceived Ones (1531), Shakespeare's The Merchant of Venice (c. 1596)

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  • Comedia de enredo (es)
  • Comedy of intrigue (en)
  • Comédie d'intrigue (fr)
  • Комедия положений (ru)
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  • La comedia de enredo (o enredos) es un subgénero dramático caracterizado por su argumento complicado e ingenioso y con un final inesperado.​​ A lo largo de la historia, evolucionó hacia otros espectáculos, y generó tipos nuevos, como la "comedia de equívoco" o "vodevil" y creó modelos exclusivos en la cinematografía y algunos formatos televisivos.​ (es)
  • Коме́дия положе́ний — вид театрального и киноискусства, классический вид комедии, основанный на том, что герои фильма (спектакля) попадают в курьёзные, смешные ситуации. Сюжет комедии положений, в отличие от комедии нравов, строится на случайных и непредвиденных стечениях обстоятельств. (ru)
  • The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's The Mandrake (1524), the anonymous Italian play The Deceived Ones (1531), Shakespeare's The Merchant of Venice (c. 1596) (en)
  • La comédie d'intrigue est un genre théâtral qui a pour but d'intéresser et d'amuser par l'abondance et la diversité des actions et rebondissements. La comédie d'intrigue est composée de 3 actes, enchaînant les péripéties. Les personnages sont le plus souvent stéréotypés. Le comique de situation domine. Au XVIIIe siècle, la comédie d'intrigue acquiert une portée satirique dans l'esprit contestataire des Lumières et propose une critique sociale et politique. C'est parfois par le thème d'une intrigue amoureuse contrariée que les personnages se dotent d'une épaisseur psychologique. Exemples : (fr)
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  • The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolò Machiavelli's The Mandrake (1524), the anonymous Italian play The Deceived Ones (1531), Shakespeare's The Merchant of Venice (c. 1596) and "Much Ado About Nothing", Thomas Heywood's The Wise Woman of Hoxton (c. 1604), Molière's Scapin the Schemer (1671), and the plays of Aphra Behn and Thomas D'Urfey. (en)
  • La comedia de enredo (o enredos) es un subgénero dramático caracterizado por su argumento complicado e ingenioso y con un final inesperado.​​ A lo largo de la historia, evolucionó hacia otros espectáculos, y generó tipos nuevos, como la "comedia de equívoco" o "vodevil" y creó modelos exclusivos en la cinematografía y algunos formatos televisivos.​ (es)
  • La comédie d'intrigue est un genre théâtral qui a pour but d'intéresser et d'amuser par l'abondance et la diversité des actions et rebondissements. La comédie d'intrigue est composée de 3 actes, enchaînant les péripéties. Les personnages sont le plus souvent stéréotypés. Le comique de situation domine. Dans ses Observations sur la comédie et sur le génie de Molière, Luigi Riccoboni oppose la comédie de caractère, telle que pratiquée par Molière, à la comédie d'intrigue. Dans cette dernière, qui est le modèle classique recommandé par Aristote dans sa Poétique, l'action vient en premier et révèle la valeur des personnages. Au XVIIIe siècle, la comédie d'intrigue acquiert une portée satirique dans l'esprit contestataire des Lumières et propose une critique sociale et politique. C'est parfois par le thème d'une intrigue amoureuse contrariée que les personnages se dotent d'une épaisseur psychologique. Exemples : * Le Barbier de Séville et Le Mariage de Figaro de Beaumarchais. (fr)
  • Коме́дия положе́ний — вид театрального и киноискусства, классический вид комедии, основанный на том, что герои фильма (спектакля) попадают в курьёзные, смешные ситуации. Сюжет комедии положений, в отличие от комедии нравов, строится на случайных и непредвиденных стечениях обстоятельств. (ru)
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