• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Deborah Hay     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Whole100003553, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonArtistHumanAnimalyago:WikicatAmericanChoreographersanimaleukaryotespeciesschema:Personyago:WikicatLivingPeopleyago:WikicatModernDancersyago:Artist109812338yago:Associate109816771yago:CausalAgent100007347yago:Choreographer109920283yago:Colleague109935990yago:Creator109614315yago:Dancer109989502yago:Entertainer109616922yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Peer109626238yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:WikicatGuggenheimFellowsyago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Whole100003553 New Facet based on Instances of this Class

Deborah Hay (born 1941 in Brooklyn, New York) is a choreographer, dancer, dance theorist, and author working in the field of experimental postmodern dance. She is one of the original founders of the Judson Dance Theater. Hay's signature slow and minimal dance style was informed by a trip to Japan while touring with Merce Cunningham's company in 1964. In Japan she encountered Noh (aka nô) theatre and soon incorporated nô's extreme slowness, minimalism and suspension into her post-Cunningham choreography. Sometimes she also imposed stressful conditions on the dancers, as with her "Solo" group dance that was presentation at 9 Evenings: Theatre and Engineering.