Die Laune des Verliebten (The Mood of the One in Love) was Richard Wagner's first attempt at an opera project. Written in about 1830, when Wagner was 17, the libretto was based on a play of the same name by Johann Wolfgang von Goethe. Wagner wrote a scene for three female voices and a tenor aria before abandoning the project. There is no performance history for these fragments, and neither words nor music have survived.
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| - Die Laune des Verliebten (es)
- Die Laune des Verliebten (en)
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| - Die Laune des Verliebten (The Mood of the One in Love) was Richard Wagner's first attempt at an opera project. Written in about 1830, when Wagner was 17, the libretto was based on a play of the same name by Johann Wolfgang von Goethe. Wagner wrote a scene for three female voices and a tenor aria before abandoning the project. There is no performance history for these fragments, and neither words nor music have survived. (en)
- Die Laune des Verliebten (El estado de ánimo del enamorado) fue el primer intento de ópera de Richard Wagner. Escrito alrededor de 1830, cuando Wagner tenía 17 años, el libreto se basó en una obra del mismo nombre de Johann Wolfgang Goethe. Wagner escribió una escena para tres voces femeninas y un aria de tenor antes de abandonar el proyecto. No hay historial de interpretaciones de esos fragmentos, y ni el texto ni la música nos han llegado. (es)
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| - play by Johann Wolfgang Goethe (en)
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| - The composer, c. 1830 (en)
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| - Die Laune des Verliebten (The Mood of the One in Love) was Richard Wagner's first attempt at an opera project. Written in about 1830, when Wagner was 17, the libretto was based on a play of the same name by Johann Wolfgang von Goethe. Wagner wrote a scene for three female voices and a tenor aria before abandoning the project. There is no performance history for these fragments, and neither words nor music have survived. (en)
- Die Laune des Verliebten (El estado de ánimo del enamorado) fue el primer intento de ópera de Richard Wagner. Escrito alrededor de 1830, cuando Wagner tenía 17 años, el libreto se basó en una obra del mismo nombre de Johann Wolfgang Goethe. Wagner escribió una escena para tres voces femeninas y un aria de tenor antes de abandonar el proyecto. No hay historial de interpretaciones de esos fragmentos, y ni el texto ni la música nos han llegado. (es)
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