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The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax, and its introduction thus cannot postdate the 9th century. It is transliterated as ea, and the Anglo-Saxon rune poem glosses it as

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rdf:type
rdfs:label
  • Ear (es)
  • Ear (rune) (en)
  • Ear (runa) (it)
  • Ear (rune) (fr)
  • Ear (runa) (pt)
  • Эар (ru)
rdfs:comment
  • Ear es una runa del alfabeto futhorc. Se introdujo en el alfabeto para representar el diptongo /ea/, transliterándose como ea. A pesar de ser una de las últimas incorporaciones aparece grabada en una inscripción epigráfica, la espada del Támesis, por lo que su incorporación no puede ser posterior al siglo IX. (es)
  • Ear (ᛠ) est une rune du futhorc, l'alphabet runique utilisé par les Anglo-Saxons. Elle est unique à cet alphabet : ni le vieux futhark, ni le futhark récent n'en possèdent d'équivalent. Elle transcrit la diphtongue ea. Elle figure notamment sur le seax de Beagnoth. (fr)
  • Ear (di significato incerto) è il nome anglosassone della runa del Fuþorc ea (carattere Unicode ᛠ). È un'aggiunta tarda all'alfabeto originale, ma è attestata su diverse epigrafi (in particolare sullo ) già dal IX secolo. (it)
  • The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax, and its introduction thus cannot postdate the 9th century. It is transliterated as ea, and the Anglo-Saxon rune poem glosses it as (en)
  • A runa Ear da escrita futhorc é uma adição tardia ao alfabeto. É, no entanto, ainda atestado a partir de evidências epigráficas, notavelmente a , e sua introdução, portanto, não pode postergar o século 9. Ela é transliterada como ea, e o poema rúnico anglo-saxão a descreve como. (pt)
  • Эар (Ear) (ᛠ) — 28-я или 29-я руна англосаксонского футорка. Это позднее дополнение, появившееся в так называемом нортумбрийском руническом ряду. Передаёт на письме звук [ea], [æɑ], [æːɑ]. Эпиграфические свидетельства (например, скрамасакс из Темзы) датируют появление данной руны не позднее IX века. Руна упоминается в древнеанглийской рунической поэме. Название данной руны и стоящие за ней понятия переводят как «земля» («прах земной») или «могила». (ru)
name
  • Ēar (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Runic_letter_ear.svg
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  • ea, æa (en)
transliteration
  • ea (en)
unicode hex
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  • oe (en)
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  • http://dbpedia.org/resource/File:Runic_letter_ear.svg
has abstract
  • The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax, and its introduction thus cannot postdate the 9th century. It is transliterated as ea, and the Anglo-Saxon rune poem glosses it as ᛠ [ear] byþ egle eorla gehƿylcun, / ðonn[e] fæstlice flæsc onginneþ, / hraƿ colian, hrusan ceosan / blac to gebeddan; bleda gedreosaþ, / ƿynna geƿitaþ, ƿera gesƿicaþ." ᛠ [ear] is horrible to every knight, / when the corpse quickly begins to cool / and is laid in the bosom of the dark earth. / Prosperity declines, happiness passes away / and covenants are broken." Jacob Grimm in his 1835 Teutonic Mythology (ch. 9) attached a deeper significance to the name. He interprets the Old English poem as describing "death personified", connected to the death-bringing god of war, Ares.He notes that the ear rune is simply a Tyr rune with two barbs attached to it and suggests that Tir and Ear, Old High German Zio and Eor, were two names of the same god. He finds the name in the toponym of Eresburg (*Eresberc) in Westphalia, in Latin Mons martis. Grimm thus suggests that the Germans had adopted the name of Greek Ares as an epithet of their god of war, and Eresberc was literally an Areopagus.Grimm further notes that in the Bavarian (Marcomannic) area, Tuesday (dies Martis) was known as Ertag, Iertag, Irtag, Eritag, Erchtag, Erichtag as opposed to the Swabian and Swiss (Alemannic) region where the same day is Ziestag as in Anglo-Saxon.Grimm concludes that Ziu was known by the alternative name Eor, derived from Greek Ares, and also as Saxnot among the Saxons, identified as a god of the sword. (en)
  • Ear es una runa del alfabeto futhorc. Se introdujo en el alfabeto para representar el diptongo /ea/, transliterándose como ea. A pesar de ser una de las últimas incorporaciones aparece grabada en una inscripción epigráfica, la espada del Támesis, por lo que su incorporación no puede ser posterior al siglo IX. (es)
  • Ear (ᛠ) est une rune du futhorc, l'alphabet runique utilisé par les Anglo-Saxons. Elle est unique à cet alphabet : ni le vieux futhark, ni le futhark récent n'en possèdent d'équivalent. Elle transcrit la diphtongue ea. Elle figure notamment sur le seax de Beagnoth. (fr)
  • Ear (di significato incerto) è il nome anglosassone della runa del Fuþorc ea (carattere Unicode ᛠ). È un'aggiunta tarda all'alfabeto originale, ma è attestata su diverse epigrafi (in particolare sullo ) già dal IX secolo. (it)
  • Эар (Ear) (ᛠ) — 28-я или 29-я руна англосаксонского футорка. Это позднее дополнение, появившееся в так называемом нортумбрийском руническом ряду. Передаёт на письме звук [ea], [æɑ], [æːɑ]. Эпиграфические свидетельства (например, скрамасакс из Темзы) датируют появление данной руны не позднее IX века. Руна упоминается в древнеанглийской рунической поэме. Название данной руны и стоящие за ней понятия переводят как «земля» («прах земной») или «могила». В девятой главе своей книги «Германская мифология», вышедшей в 1835 году, Якоб Гримм придаёт имени руны Эар более глубокое значение. Он интерпретирует текст древнеанглийской поэмы как описание «персонифицированной смерти», связанной с несущим смерть богом войны Аресом. Он отмечал, что руна Эар — это руна Тюра с двумя дополнительными зубцами, и предполагал, что Тюр и Эар (Арес) — это два различных имени одного и того же бога. (ru)
  • A runa Ear da escrita futhorc é uma adição tardia ao alfabeto. É, no entanto, ainda atestado a partir de evidências epigráficas, notavelmente a , e sua introdução, portanto, não pode postergar o século 9. Ela é transliterada como ea, e o poema rúnico anglo-saxão a descreve como. ᛠ [ear] byþ egle eorla gehƿylcun, / ðonn[e] fæstlice flæsc onginneþ, / hraƿ colian, hrusan ceosan / blac to gebeddan; bleda gedreosaþ, / ƿynna geƿitaþ, ƿera gesƿicaþ." [ear] é horrível para todo cavaleiro, / quando o cadáver rapidamente começa a esfriar / e é colocado no seio da terra escura. / A prosperidade declina, a felicidade passa e os convênios são quebrados ”. Jacob Grimm em sua Mitologia Teutônica de 1835 (ch. 9) atribuiu um significado mais profundo ao nome. Ele interpreta o poema do inglês antigo como descrevendo a "morte personificada", ligada ao deus da guerra que leva a morte, Ares.Ele observa que a runa ear é simplesmente uma com duas farpas presas a ela e sugere que Tir e Ear, Alto alemão antigo Zio e Eor, eram dois nomes do mesmo deus. Ele encontra o nome no topônimo de (*Eresberc) na Vestfália, no latin Mons martis. Grimm sugere que os alemães haviam adotado o nome do grego Ares como epíteto de seu deus da guerra, e Eresberc era literalmente um Areópago.Grimm observa ainda que na região Bávara (Marcomanos), Terça-feira (dies Martis) era conhecida como Ertag, Iertag, Irtag, Eritag, Erchtag, Erichtag em oposição à região Suábia e Suíça (Alemannic) onde o mesmo dia é Ziestag como em Anglo-saxão.Grimm conclui que Ziu era conhecido pelo nome alternativo Eor, derivado do grego Ares, e também como entre os saxões, identificado como um deus da . (pt)
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