About: Renaissance music

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Early music of Britain and Ireland, from the earliest recorded times until the beginnings of the Baroque in the 17th century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. Each of the major nations of England, Ireland, Scotland, and Wales retained unique forms of music and of instrumentation, but British music was highly influenced by continental developments, while British composers made an important contribution to many of the major movements in early music in Europe, including the polyphony of the Ars Nova and laid some of the foundations of later national and international classical music. Musicians from the British Isles also developed some distinctive forms of music, including Celtic chant, the Contenance Angloise, the r

Attributes	Values
rdf:type	Thing magazine
rdfs:label	الموسيقى المبكرة للجزر البريطانية (ar) Early music of the British Isles (en) Musique ancienne des îles britanniques (fr)
rdfs:comment	كانت الموسيقى المبكرة للجزر البريطانية، من أقدم الأوقات المسجلة حتى بدايات الباروك في القرن السابع عشر، ثقافة متنوعة وغنية، بما في ذلك الموسيقى المقدسة والعلمانية، والمتراوحة من الشعبية إلى النخبوية. احتفظت كل من الدول الرئيسية في إنجلترا، وأيرلندا، واسكتلندا، وويلز بأشكال فريدة من الموسيقى والآلات، لكن الموسيقى البريطانية تأثرت بشدة بالتطورات القارية، في حين قدم الملحنون البريطانيون مساهمة مهمة في العديد من الحركات الرئيسية في الموسيقى المبكرة في أوروبا، بما في ذلك البولفونية في الآرس نوفا، ووضع بعض أسس الموسيقى الكلاسيكية الوطنية والدولية اللاحقة. طور الموسيقيون من الجزر البريطانية أيضًا بعض الأشكال المميزة للموسيقى، بما في ذلك الانشودة السلتية، والكونتولواز كونتولواز، والراوند، والانتيفون النفوي المتعدد، والكارول في عصر القرون الوسطى؛ والمادريجال الإنجليزية، والعود، ومسرحيات الماسك في ع (ar) Early music of Britain and Ireland, from the earliest recorded times until the beginnings of the Baroque in the 17th century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. Each of the major nations of England, Ireland, Scotland, and Wales retained unique forms of music and of instrumentation, but British music was highly influenced by continental developments, while British composers made an important contribution to many of the major movements in early music in Europe, including the polyphony of the Ars Nova and laid some of the foundations of later national and international classical music. Musicians from the British Isles also developed some distinctive forms of music, including Celtic chant, the Contenance Angloise, the r (en) La musique ancienne des îles britanniques, depuis les documents disponibles les plus anciens jusqu'à l'époque du baroque au XVIIe siècle, est une culture riche et diverse, comprenant de la musique sacrée et profane et touchant les masses et l'élite de la société. Chacune des principales nations d'Angleterre, de la seigneurie d'Irlande, de l'Écosse et du Pays de Galles conserve des formes uniques de musique et d'instrumentation, mais la musique britannique a été fortement influencée par l'évolution du continent tandis que les compositeurs britanniques ont apporté une importante contribution à la plupart des grands mouvements au sein de la musique ancienne en Europe, dont la polyphonie de l'Ars Nova et posé quelques-uns des fondements des musiques classiques nationales et internationales ult (fr)
rdfs:seeAlso	Wars of the Three Kingdoms List of Anglican church composers Henry VIII of England James I of England
foaf:depiction
dcterms:subject	British music history History of the British Isles Early music
Wikipage page ID	21969884 (xsd:integer)
Wikipage revision ID	1091036280 (xsd:integer)
Link from a Wikipage to another Wikipage	Carmelites Psalms Psalter Round (music) Roy Henry Scotland Monody Monophony Mensural notation Baroque Ben Jonson Antiphon Homophonic Hymns John Taverner John of Lancaster, 1st Duke of Bedford Ars Nova University of Cambridge University of Oxford Variation (music) Viol Virgin Mary David Peebles Early music Intermezzo James Wedderburn (poet) Johannes Alanus Lute Mass (music) Mary Remnant Mass (liturgy) General Assembly of the Church of Scotland Simon Tunsted Christ Church, Oxford Church of England Edward IV of England Edward Stafford, 3rd Duke of Buckingham Eisteddfod Elizabeth I Elizabeth I of England England English Reformation English civil war Gerald of Wales Minstrels Morris dancing Motet Consort of instruments Contenance angloise The Triumphs of Oriana Thomas Tallis Thomas Weelkes Thomas Wolsey Sarum Use Anne of Denmark Leominster Lordship of Ireland Lutheranism Madrigal Magdalen College, Oxford Magnificats Stirling Castle Stuart Restoration Come Again (Dowland) Compline Harp Henry Abyngdon John Hothby John Jenkins (composer) Leonel Power Franciscan Plainsong

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