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El diablo cojuelo (1641) is one of the most popular works by Luis Vélez de Guevara. In 1918 an edition published by Francisco Rodríguez Marín became well known. The story is about a student that takes the devil out of a flask where a magician had locked him. The devil, grateful, shows the student the interior of houses (as if they were toys). This way, they are able to contemplate its inhabitants in their privacy.

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  • El diablo cojuelo (es)
  • El diablo cojuelo (en)
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  • El diablo cojuelo (1641) is one of the most popular works by Luis Vélez de Guevara. In 1918 an edition published by Francisco Rodríguez Marín became well known. The story is about a student that takes the devil out of a flask where a magician had locked him. The devil, grateful, shows the student the interior of houses (as if they were toys). This way, they are able to contemplate its inhabitants in their privacy. (en)
  • El diablo cojuelo es la obra más popular de Luis Vélez de Guevara y fue publicada en 1641. Sus ediciones son innumerables, y entre sus traducciones, hay que destacar la de Alain-René Lesage (París, 1707), que más que una traducción es una adaptación, hecha con suma discreción y buen gusto pero con menos verdad y realismo que la original, y sobre todo, con mayor falsedad en los tipos y costumbres. En 1918 se publica la primera edición crítica de la mano de Francisco Rodríguez Marín. (es)
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  • El diablo cojuelo (1641) is one of the most popular works by Luis Vélez de Guevara. In 1918 an edition published by Francisco Rodríguez Marín became well known. The story is about a student that takes the devil out of a flask where a magician had locked him. The devil, grateful, shows the student the interior of houses (as if they were toys). This way, they are able to contemplate its inhabitants in their privacy. (en)
  • El diablo cojuelo es la obra más popular de Luis Vélez de Guevara y fue publicada en 1641. Sus ediciones son innumerables, y entre sus traducciones, hay que destacar la de Alain-René Lesage (París, 1707), que más que una traducción es una adaptación, hecha con suma discreción y buen gusto pero con menos verdad y realismo que la original, y sobre todo, con mayor falsedad en los tipos y costumbres. En 1918 se publica la primera edición crítica de la mano de Francisco Rodríguez Marín. Según el hispanista norteamericano George Ticknor, es la más picante y animada entre todas las sátiras en prosa de la literatura moderna. (es)
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